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Articles

Interroger Google : Entre requête et questionnement

Pages 521-536 | Published online: 24 Mar 2020
 

Abstract

Using Google and the possibility of obtaining all the answers to the questions we ask raises questions about the difference between query and question. This article attempts to define and explore the differences between these two notions, which seem to be close and yet bear a fundamental difference.

Notes

1 Roland Barthes, Sade, Fourier, Loyola. Seuil, 1980.

2 Maurice Blanchot, Lautréamont et Sade. Minuit, 1949.

3 Franco Moretti, Graphs, Maps, Trees: Abstract Models for a Literary History. London & New York, Verso, 2005

4 À la suite des princes de Serendip, une poétique de l’invention, (du récit de Louis de Mailly au concept de sérendipité sur Internet) dans Poétique(s) du Numérique 2, dirigé par Franck Cormerais, Éditions Entretemps, 2013.

5 On est allé en 2019 jusqu’à attribuer le développement du mouvement des « gilets jaunes » aux variations de l’algorithme de Facebook !

6 Jack Goody, “Mémoire et apprentissage dans les sociétés avec et sans écriture: La Transmission du Bagré.” L’Homme: Revue française d’anthropologie, vol. 17, 1977, pp. 29–52.

7 Site de l’AMo (EA4276), URL : http://lamo.univ-nantes.fr/CV-Jacques-Gilbert

8 Alan Turing and Jean-Yves Girard, “Les Ordinateurs et l’intelligence.” La Machine de Turing.

9 Platon, Le Philèbe, 38e.

10 Olivier Rey, “Prince et princesse, 0 et 1.”  Études digitales, vol. 1, Classiques-Garnier, 2016, pp. 19–23.

11 Flint Schier, La Naturalité des images. Questions théoriques, 2019.

Additional information

Notes on contributors

Jacques Athanasse Gilbert

Jacques Athanasse Gilbert is professor of comparative literature at the Université de Nantes. He is a member of the (EA) and of CRENAU (UMR), a collaborating member of the Institut d’Études Avancées de Nantes, and co-founder of the journal Études digitales. His research extends from mimesis in Antiquity to contemporary issues of representation; he has been focusing more recently on the immersion devices and techniques of virtual reality and of 360° narrative. At the crossroads of literature, esthetics, and philosophy, his work explores the relationship between narrative and theory.

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