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Original Articles

Introducing sport in films

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Pages 107-116 | Published online: 16 Nov 2010
 

Notes

 1 CitationKing and Leonard, Visual Economies of/in Motion.

 2 CitationBaker, Contesting Identities.

 3 See, for example, CitationPomerance, ‘The Dramaturgy of Action and Involvement in Sport Film’; and the special issue of Film and History: An Interdisciplinary Journal of Film and Television Studies 35, no.1/2 (2005).

 4 CitationRuddock, Understanding Audiences.

 5 See, CitationMonaco, How to Read a Film.

 6 CitationHall, ‘Encoding and Decoding in Television Discourses’.

 7 See, for example, CitationBoyle, Millington and Vertinsky, ‘Representing the Female Pugilist’; CitationMiller, ‘The Dawn of an Imagined Community’; CitationPoulton, ‘“Lights, Camera, Aggro!”’; CitationRedhead, ‘This Sporting Life’; CitationRowe, ‘If You Film It, Will They Come?’; CitationTomlinson, ‘Sports Movies and the Study of Sport’; CitationTomlinson, ‘Images of Sport’.

 8 CitationRowe, ‘If You Film It, Will They Come?’, 351.

 9 CitationCashmore, ‘Films’, 132.

10 CitationMiller, ‘Film’, 163–5.

11 CitationPearson et al., ‘Sport Films’.

12 Rowe, ‘If You Film It, Will They Come?’, 353.

13 Pearson et al., ‘Sport Films’, 145–6.

14 CitationFarred, ‘The Double Temporality of Lagaan’.

15 Rowe, Sport, Culture and the Media, 193.

16 Baker, Contesting Identities.

17 CitationMcDonald, ‘Situating the Sport Documentary’.

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