On place-making, participation and public art: the Gorbals, Glasgow

Abstract

Public art has become part of the rhetoric of regeneration and within this participation has come to play an increasingly significant role. Public art, through its aesthetic and process, is perceived as integral to place-making within regeneration practice, affording cohesion to otherwise disaffected and disillusioned communities and distinctiveness to reformed places. Based on the example of a regenerated inner-city neighbourhood in Glasgow, the Gorbals, this paper questions the role of public participation in the installation of public art. How the regeneration of the neighbourhood unfolded was heavily influenced by new urbanist ideals in which place-making techniques were instrumental in repositioning the perception of the neighbourhood for its residents as well as externally. We argue that within a complex process of regeneration there are limits to how public participation can be built into the process of installing public art, reflecting in turn the different routes through which places become meaningful.

Keywords:

• public art
• participation
• regeneration
• new urbanism
• place-making

Acknowledgement

The authors are grateful to Professor Joanne Sharp who played an important role in the research process.