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Notes
1 FATALE was initiated by Katarina Bonnevier, Brady Burroughs, Katja Grillner, Meike Schalk and Lena Villner. For more, see Meike Schalk, Brady Burroughs, Katja Grillner, and Katarina Bonnevier, “FATALE: Critical Studies in Architecture,” NJoA 2, no. 2 (2012): 90–97.
2 MYCKET is Swedish and means “much.” The collective spells its name in capitals. The title of their sessions went under the name of STYLES.
3 We refer here to Jane Rendell’s term “Architecture-Writing”; Jane Rendell, “Architecture-Writing,” in Critical Architecture, ed. Jane Rendell, Jonathan Hill, Murray Fraser and Mark Dorrian (London: Routledge, 2007), 85–96.
4 “Essay in space” is an expression coined by Amelia Jones. See Elke Krasny’s article in this issue.
5 José Esteban Muñoz, Disidentifications: Queers of Color and the Performance of Politics (Minneapolis: University of Minnesota Press, 1999), 196.
6 Eve Kosofsky Sedgwick, “Paranoid Reading and Reparative Reading, Or, You’re so Paranoid, You Probably Think This Essay is About You,” in Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC: Duke University Press, 2003), 123–152.
7 See Katarina Bonnevier’s “The Revue of STYLES” in this issue.
8 Eve Kosofsky Sedgwick, “Queer Performativity: Henry James’s The Art of the Novel,” GLO 1, no. 1 (1993): 1–16, at 13.
9 Penelope Eckert and John R. Rickford, eds, Style and Sociolinguistic Variation (Cambridge: Cambridge University Press, 2001); Barbara Johnstone, “Stance, Style and the Linguistic Individual,” in Sociolinguistic Perspectives on Stance, ed. Alexandra Jaffe (New York: Oxford University Press, 2009), 29–52; Walter Labov, The Social Stratification of English in New York City (Cambridge: Cambridge University Press, [1966] 2006).
10 See MYCKET’s “Artefacts Introduction Speech” in this issue.
11 DOCH stands for Dans Och Circus Högskolan, The Dance and Circus University College, at the Royal Institute of Technology (KTH), Stockholm.
12 See Katarina Bonnevier's “The Revue of STYLES” in this issue.
13 Ibid.
14 Karen Tumulty, “Trump’s History of Flippant Misogyny,” The Washington Post, August 8, 2015, https://www.washingtonpost.com/politics/trumps-history-of-flippant-misogyny/2015/08/08/891f1bec-3de4-11e5-9c2d-ed991d848c48_story.html?utm_term=.8410e6ee289d; Nick Corasaniti, “Donald Trump’s Misogyny, Out of the Mouth of Ordinary Women,” The New York Times, March 14, 2016, https://www.nytimes.com/2016/03/15/us/politics/donald-trumps-misogyny-out-of-the-mouths-of-ordinary-women.html.
15 Rosi Braidotti, Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory (New York: Columbia University Press, 1994).
16 Joe Crowdy’s contribution was part of the panel session Borderlands.
17 Hito Steyerl, “The Language of Things,” transversal – eipcp.net multilingual webjournal, 2006, eipcp.net/transversal/0606/steyerl/en (accessed June 24, 2017).
18 Sara Ahmed, Queer Phenomenology: Orientations, Objects, Others (Durham, NC: Duke University Press, 2006), 164.
19 Elizabeth Grosz, Architecture from the Outside: Essays on Virtual and Real Space (Cambridge, MA: MIT Press, 2001), 168–169.
20 Ahmed, Queer Phenomenology, 160.
21 Ibid., 164.
22 Ibid., 167.
23 Grosz, Architecture from the Outside, 169.
24 Ibid., 171.
25 Jane Bennett, Vibrant Matter: A Political Ecology of Things (Durham, NC: Duke University Press, 2010), 20–21.
26 Ahmed, Queer Phenomenology, 158.
27 Steyerl, “Language of Things.”
28 Ibid.
29 Paolo Virno, A Grammar of the Multitude, trans. Isabella Bertoletti, James Cascaito, and Andera Casson (Los Angeles, CA: Semiotext(e), 2004).
30 Runting, Sjögrim and Torisson were part of panel session 02 on Friday, November 18. Their contribution offers an important link to a discussion of images as things and as labor.