Spaces of Tolerance: Editorial Introduction

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Notes

Notes

1 Donna Haraway, “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective,” Feminist Studies, 14, no. 3 (1988), 575–599.

2 Ibid., 582.

3 Elizabeth Grosz, Architecture from the Outside: Essays on Virtual and Real Space (Cambridge, MA: MIT Press, 2001), xv.

4 Ibid., xvii.

5 Josh Taron, “Critical Tolerance,” OffRamp, 12, Fall/Winter 2016.

6 Muf architecture/art, Public Views 1: Purity and Tolerance. London: Architecture Foundation, installation 7–17 September 1995, available online: http://muf.co.uk/portfolio/purity-and-tolerance/ (accessed March 27, 2019)

7 Justine Clark and Paul Walker, “Negotiating the Intention of the Work,” Volume, special issue “Ways to Be Critical,” 36 (2013): 25.

8 David Leatherbarrow, “The Craft of Criticism,” Journal of Architectural Education, 62, no. 3 (2009): 21.

9 Naomi Stead, “Three Complaints about Architectural Criticism,” Architecture Australia, 92, no. 6 (2003), 50.

10 Leatherbarrow, “Craft of Criticism,” 96–97; Joseph Rykwert, “Does Architecture Criticism Matter?,” Domus, no. 979 (April 2014): 4.

11 Wendy Brown, “Educating Human Capital,” in Undoing the Demos: Neoliberalism’s Stealth Revolution (Cambridge, MA: MIT Press), 196.

12 Kristina Lee Podevsa, “Between the Question Mark and the Comma,” Fillip-Folio A, available online: https://fillip.ca/content/between-the-question-mark-and-the-comma (accessed February 3, 2019).

Additional information

Notes on contributors

Igea Troiani

Igea Troiani (PhD) is an architect, academic and independent filmmaker who has worked in Australia, Germany, the UK and China. She is currently a Professor of Architecture at Xi-an Jiaotong-Liverpool University in Suzhou. Her portfolio of research is based in three areas: (1) the social production of architecture; (2) architecture, neoliberalism and labor; and (3) architecture and media. In addition to her written publications, she produces theory as film; since 2004, she has made films on the politics of architectural production, most recently under her production company Caryatid Films. She is a founder of Original Field of Architecture (Oxford, UK) with Andrew Dawson and founder and editor-in-chief of the interdisciplinary, award-winning journal Architecture and Culture.

Suzanne Ewing

Suzanne Ewing is an architect, academic and educator and was Head of the Edinburgh School of Architecture and Landscape Architecture at the University of Edinburgh, 2016–18. She co-founded ZONE architects, UK, in 2002. Underpinning the inquiry of her critical design work in sited architecture projects and the speculative domain of design studios in education, is elucidating and nuancing theories, skills, judgments and potentials embedded in practice-based methodologies, which traverse aesthetics and ethics: knowing how to practice, knowing how to construct a good project. Publications include Architecture and Field/Work (Routledge, 2011), and articles in Journal of Architecture, Architectural Theory Review, NORDIC and Charette. She is co-editor of the international award-winning journal Architecture and Culture.