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Notes
1. Cavicchi Citation2011, Daughty Citation2015, Gilman Citation2016 or Hirschkind Citation2009. While the latter investigates the “sensorium” that would seem to precede listeners’ interpretations of non-musical sound, Hirschkind also foregrounds listeners’ agency, exploring in detail how individuals take their sensoria as domains in which the self might be cultivated and improved.
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Notes on contributors
Kendra Renée Salois
Kendra Renée Salois is an ethnomusicologist who works at the intersections of Afro-diasporic popular musics, transnational markets and translocal belonging. Her research interests include popular musics in North Africa and the Middle East, trans-Saharan musical partnerships, and music in relation to diplomacy, citizenship, labour and neoliberalism. She is an Assistant Professor in the Department of Performing Arts at American University in Washington, DC.