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Articles

Dark Humor, Irony, and the Collaborative Narrativizations of Regional Belonging

Pages 69-85 | Received 10 Oct 2017, Accepted 27 Sep 2018, Published online: 26 Nov 2018
 

Abstract

In literary geography there is a relatively long history of studying regional narratives, but less focus has been placed on how senses of spatial belonging and identity become actualized through the reception and reinterpretations of regional literatures. This article discusses how Meänkieli-speaking minorities in northern Sweden narrativize their shifting spatial identities through regional literature, specifically Mikael Niemi’s successful humorous novel Populärmusik från Vittula (2000). The article approaches the literary work simultaneously through the critical analysis of the book’s content, readers’ interpretations, and the interconnections between the author, the reader, and wider social circumstances. The analysis is based on group discussions conducted in northern Sweden between September 2015 and February 2016. As an outcome of these discussions, it emerged how different manners of approaching the irony and dark humor of Niemi’s book divide people’s senses of regional belonging and launch the alternative, confronting conceptions of “who we are.”

在文学地理学中,区域叙事研究相对而言具有悠久的历史,但却少有研究聚焦空间归属感和认同感如何通过区域文学的感受和再诠释实现之。本文探讨瑞典北部说梅安语(Meänkielispeaking)的少数民族,如何通过文学将其转变中的空间认同进行叙事化,特别是米歇尔•尼尔米(Mikael Niemi)成功的幽默小说《来自维图拉的流行音乐(Populärmusik från Vittula)》(2000)。本文同时通过批判性地分析该着作之内容、读者的诠释,以及作者、读者和更广泛的社会事件之间的连结,探讨该文学作品。此般分析是根据2015年九月至2016年二月间在瑞典北部所进行的团体讨论。作为这些讨论的成果,本研究显露出探讨尼尔米着作的讽刺与黑色幽默的不同取径,如何分裂人们对于区域归属的感知,并发展有关“我们是谁”的另类且对抗性的概念。

En geografía literaria hay una historia relativamente larga del estudio de narrativas regionales, aunque poco ha sido el énfasis puesto en el modo como lo sentidos de pertenencia espacial e identidad se materializan a través de la recepción y reinterpretaciones de las literaturas regionales. El este artículo se discute el modo como las minorías del norte de Suecia que hablan el idioma meänkieli hacen objeto de la narrativa sus cambiantes identidades espaciales a través de la literatura regional, específicamente en la exitosa novela humorística de Mikael Niemi, Populärmusik från Vittula (2000). Simultáneamente, el artículo aborda el trabajo literario por medio del análisis crítico del contenido del libro, las interpretaciones de los lectores y las interconexiones entre el autor, el lector y las circunstancias sociales más amplias. El análisis se basa en discusiones grupales llevadas a cabo en el norte de Suecia entre septiembre del 2015 y febrero del 2016. Como resultado de tales discusiones, se hace claro cómo las diferentes maneras de acercarse a la ironía y al humor negro del libro de Niemi divide los sentidos de pertenencia regional de la gente y lanzan la alternativa, confrontar las concepciones de “quiénes somos”.

Additional information

Funding

Research was financially supported by the Kone Foundation–Finland.

Notes on contributors

Juha Ridanpää

JUHA RIDANPÄÄ is a Senior Research Fellow in the Geography Research Unit at Oulu University, Oulu, FI-90014, Finland. E-mail: [email protected]. His research interests include the geographical studies of humor, narrative studies, literary geography, popular geopolitics, and postcolonial studies.

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