How film histories were made- materials, methods, discourses

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Notes

1. White (2014). Metahistory: The Historical Imagination in Nineteenth-Century Europe. 40th Anniversary Edition. Baltimore: Johns Hopkins University Press, 5.

2. Ibid., 6.

3. Ibid., ?.

4. Malte Hagener and Yvonne Zimmermann, ‘Introduction: Unpacking Film History’s Own Histories: Towards an Archaeology of Film Historiography’, in How Film Histories Were Made, eds. Malte Hagener and Yvonne Zimmermann (Amsterdam: Amsterdam University Press, 2023), 14.

5. Ibid.

6. Ibid., 17.

7. Ibid., 22.

8. Ibid., 29.

9. Masha Salazkina, ‘Defeats that Were Almost Victories: Jay Leyda’s (Soviet) Archives’, in How Film Histories Were Made, eds. Malte Hagener and Yvonne Zimmermann (Amsterdam: Amsterdam University Press, 2023), 165.

10. Masha Salazkina, World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War

(Oakland: University of California Press, 2023).

11. Eleftheria Thanouli, ‘The History of Film on Film: Some Thoughts on Reflexive Documentaries’, in How Film Histories Were Made, eds. Malte Hagener and Yvonne Zimmermann (Amsterdam: Amsterdam University Press, 2023), 372.

12. Ibid., 373.

13. Thomas Elsaesser, ‘The New Film History as Media Archaeology,’ Cinémas: Revue d’études cinématographiques/Cinémas: Journal of Film Studies 14, no. 2–3 (Spring 2004), 80.