Abstract
Although rich in artistry and depth, Steinbeck’s novel In Dubious Battle (1936) has been judged less as a novel and more as a sociological event or a propagandistic political tract. At least contemporary critics are inclined to treat the book as a legitimate work of art, to be approached from a variety of the usual aesthetic and theoretical angles. However, no matter which lens In Dubious Battle is viewed through, it is certainly a mistake to attribute the novel’s enduring appeal and value to its depiction of a migrant apple pickers’ strike typical of the 1930s. In its concern with the human dilemmas regarding the nature of power, personal freedom, and degree of responsibility and commitment, it is as powerful today as it was when it was written.