All that is solid?: Museums and the postmodern

Abstract

The world today is often described as ‘postmodern’ - or, recently, post-postmodern. The question is, can postmodern ideas help to explain the many inconsistencies and logical binds in which museums find themselves entangled at the start of the 21st century? The postmodern is set in contrast with the Modern project, with which museums are closely associated. Superstition and disorder were swept aside, in theory at least, by scientific evidence and orderly arrangement, promoting a stable social hierarchy. In the West, the rational, scientific mindset became the dominant way of explaining the world. Museums are deeply implicated in the Modern, as instruments for cataloguing and characterizing first the natural world and, later, the world of invention, design and technology. Can museums, as ‘modern’ institutions, survive in the postmodern age? The museum's salvation could, it is argued, lie in its collections. Museums could shrug off their insistence on exhibitions as their major function: their ‘modern’ face. Instead they could move towards being providers of a service to open up the collections themselves and the knowledge and information about them, rather than guarding them as a private treasure.