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Notes

The Epiphany and the Eucharist: On the Interpretation of Eucharistic Motifs in Mediaeval Epiphany ScenesFootnote

Pages 311-316 | Published online: 30 Oct 2014

BIBLIOGRAPHY OF FREQUENTLY CITED SOURCES

  • H. Anz, Die lateinischen Magierspiele, Leipzig, 1905.
  • G. Aust, Die Geburt Christi, Düsseldorf, 1953.
  • A. A. Barb, “Krippe, Tisch und Grab, Ein Versuch zur Form-Symbolik von Altar und Patene,” in Mullus, Festschrift für Theodor Klauser (Jahrbuch für Antike und Christentum, supp. vol. 1), Münster, 1964.
  • R. Berliner, Die Weihnachtskrippe, Munich, 1955.
  • J. Braun, S. J. , Der christliche Altar in seiner geschichtlichen Entwicklung, 2 vols., Munich, 1924.
  • A. Katzenellenbogen, The Sculptural Programs of Chartres Cathedral, Baltimore, 1959.
  • H. Kehrer, Die heiligen drei Könige in Literatur und Kunst, 2 vols., Leipzig, 1908.
  • W. Molsdorf, Christliche Symbolik der mittelalterlichen Kunst, Leipzig, 1926.
  • E. Panofsky, Early Netherlandish Painting, Cambridge, Mass., 1958.
  • A. Stange, Deutsche Malerei der Gotik, Berlin, 1934ff.
  • E. M. Vetter, “Mariologische Tafelbilder des 15. Jahrhunderts und das Defensorium des Franz von Retz,” diss. Heidelberg, 1954.
  • M. Vloberg, L'eucharistie dans l'art, Grenoble-Paris, 1946.
  • O. G. von Simson, Sacred Fortress, Byzantine Art and Statecraft in Ravenna, Chicago, 1948.

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