Frequently Cited Sources
- Briganti, G., 1950a, “Pieter van Laer e Michelangelo Cerquozzi,” Proporzioni, iii, 185–198.
- Briganti, G., 1950b, I Bamboccianti: Pittori della vita popolare nel Seicento, exh. cat., Palazzo Massimo alle Colonne, Rome.
- Briganti, G., L. Trezzani, and L. Laureati, The Bamboccianti: Painters of Everyday Life in Seventeenth-Century Rome, trans. Erich Wolf, Rome, 1983.
- Colie, R., Paradoxia Epidemica: The Renaissance Tradition of Paradox, Princeton, 1966.
- Hollstein, F.W.H., Dutch and Flemish Etchings, Engravings and Woodcuts, x, Amsterdam, n.d.
- Hoogewerff, G.J., “Pieter van Laer en zijn vrienden,” Oud Holland, xlix, 1932, 1–17, 205–220; l, 1933, 103–117, 250–262.
- Janeck, A., Untersuchung über den holländischen Maler Pieter van Laer, genannt Bamboccio, Ph.D. diss., Universität Würzburg, 1968.
- Kren, T., “Jan Miel (1599-1664): A Flemish Painter in Rome,” 3 vols., Ph.D. diss., Yale University, 1978.
- Levine, D.A., “The Art of the Bamboccianti,” Ph.D. diss., Princeton University, 1984.
- Lucchesi Palli, E., “Morraspiel,” Lexikon der christlichen Ikonographie, Rome, 1971, iii, 281.
- Rosenberg, J., S. Slive, and E.H. ter Kuile, Dutch Art and Architecture, 1600-1800, Baltimore, 1972.
- Salerno, L., Pittori di paesaggio del Seicento a Roma, 3 vols., Rome, 1977-80.