Frequently Cited Sources
- Aelred of Rievaulx, The Works, I: Treatises and the Pastoral Prayer (Cistercian Fathers Series, II), Spencer, MA, 1971.
- Allen, H.E., Writings Ascribed to Richard Rolle, Hermit of Hampole, and Materials for His Biography (Modern Language Association of America Monograph Series, III), New York, 1927.
- Becksmann, R., Die mittelalterliche Clasmalerei in Baden und der Pfalz ohne Freiburg i. Br. (Corpus vitrearum medii aevi, Deutschland, II/1), Berlin, 1979.
- Benz, E., “Christliche Mystik und christliche Kunst: Zur theologischen Interpretation mittelalterlicher Kunst,” Deutsche Vierteljahrschrift für Literaturwissenschaft und Geistesgeschichte, XXI, 1934, 22–48.
- Bihlmeyer, K., ed., Heinrich Seuse: Deutsche Schriften, Stuttgart, 1907.
- Brett, E.T., Humbert of Romans: His Life and Views of Thirteenth-Century Society (Studies and Texts, LXVII), Toronto, 1984.
- Callmann, E., “Thebaid Studies,” Antichità viva, XIV, 1975, 3–22.
- Cannon, J., 1980, “Dominican Patronage of the Arts in Central Italy: The Provincia Romana c. 1220-c. 1320,” Ph.D. diss., University of London.
- Cannon, J., 1982, “Simone Martini, the Dominicans and the Early Sienese Polyptych,” Journal of the Warburg and Courtauld Institutes, XLV, 69–93.
- Clay, R.M., The Hermits and Anchorites of England, London, 1914.
- Colledge, E., and J.C. Marlier, “‘Mystical Pictures in the Suso Exemplar,’ MS Strasbourg 2929,” Archivum fratrum praedicatorum, LIV, 1984, 293–354.
- Dinzelbacher, P., and D.R. Bauer, eds., Frauenmystik im Mittelalter, Ostfildern, 1985.
- Hall, M.B., 1974a, “The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy,” Journal of the Warburg and Courtauld Institutes, XXXVII, 157–173.
- Hall, M.B., 1974b, “The Tramezzo in Santa Croce, Florence, Reconstructed,” Art Bulletin, LVI, 325–341.
- Hinnebusch, W.A., The History of the Dominican Order: Origins and Growth to 1500, 2 vols., New York, 1965.
- Hood, W., “Saint Dominic's Manners of Praying: Gestures in Fra Angelico's Cell Frescoes at S. Marco,” Art Bulletin, LXVIII, 1986, 195–206.
- Knoepfli, A., “Vier Bilder zur Kunstgeschichte des Bodensee-Gebietes,” in Schriften des Vereins für Geschichte des Bodensees und seiner Umgebung, XCIX-C, 1981-82, 301–491.
- Küinzle, P., ed., Heinrich Seuses Horologium Sapientiae (Spicilegium Friburgense: Texte zur Geschichte des kirchlichen Lebens, XXIII, Freiburg, 1977.
- Norton, C, D. Park, and P. Binski, Dominican Painting in East Anglia: The Thomham Parva Retable and the Musée de Cluny Frontal, Woodbridge, 1987.
- Pat. lat. =Patrologiae cursus completus, series latina, ed. J.P. Migne, 221 vols., Paris, 1844-64.
- Ruh, K., “Geistliche Prosa,” in Neues Handbuch der Literaturwissenschaft, ed. K. von See, VIII (Europäisches Spätmittelalter), Frankfurt, 1974, 595–597.
- Schwietering, J., “Zur Autorschaft von Seuses Vita,” in Humanismus, Mystik und Kunst in der Kunst des Mittelalters (Studien und Texte zur Geistesgeschichte des Mittelalters, III), ed. J. Koch, Leiden, 1953, 146–158.
- Stirnimann, H., “Mystik und Metaphorik: Zu Seuses Dialog,” in Das “Einig Ein”: Studien zur Theorie und Sprache der deutschen Mystik, ed. A.M. Haas and H. Stirnimann, Fribourg, 1980, 209–280.
- Tugwell, S., ed., Early Dominicans: Selected Writings, New York, 1982.