Frequently Cited Sources
- Artis auriferae …, Basel, 1593, 2 vols.
- Aurora consurgens: A Document Attributed to Thomas Aquinas on the Problem of Opposites in Alchemy, trans. R.F.C. Hull and A.S.B. Glover, ed. M.-L. von Franz, New York, 1966.
- Baumstark, R., Meisterwerke der Sammlungen des Fürsten von Liechtenstein. Gemälde, Zurich/Munich, 1980.
- Bonus, Petrus, Pretiosa margarita novella, ed. J. Lacinius, Venice, 1546.
- Cibinensis, Melchior, Addam et processum sub forma missae …, trans. C.G. Jung, Psychology and Alchemy, Princeton, 1968, 396–406.
- Debus, A.G., Alchemy and Chemistry in the Seventeenth Century, Los Angeles, 1966.
- Dixon, L.S., 1981, Alchemical Imagery in Bosch's “Garden of Delights,” Ann Arbor.
- Dixon, L.S., 1982, “Water, Wine and Blood—Science and Liturgy in the ‘Marriage at Cana’ by Hieronymus Bosch,” Oud Holland, XCVI, 73–96.
- De Jong, H.M.E., Michael Maier's “Atalanta Fugiens,” Sources of an Alchemical Book of Emblems, Leiden, 1969.
- Maier, M. 1617, Symbola aurea mensae duodecim nationum, Frankfurt-am-Main.
- Maier, M., 1618, Atalanta fugiens …, Oppenheim.
- Mylius, Johann Daniel, Philosophia reformata, Frankfurt-am-Main, 1622.
- Ripley, G. Cantilena, in J. Fabricius, Alchemy, The Medieval Alchemists and Their Royal Art, Copenhagen, 1976, 134–135.
- Rosarium philosophorum, Frankfurt-am-Main, 1550.
- Sumowski, W., Gemälde der Rembrandt Schüler, Landau/Pfalz, 1983.
- Theatrum chemicum, I-III, Ursel, 1602; IV-VI, Strasbourg, 1613, 1622, 1661.
- Trismosin, Salmon, Aureum vellus (Splendor solis), trans. Splendor solis: Alchemical Treatises, ed. J.K., London, 1920.
- Valentine, B., De prima materia, trans. A.E. Waite, The Hermetic Museum Restored and Enlarged, London, 1893, I.
- Waite, A.E., The Hermetic Museum Restored and Enlarged, London, 1893, 2 vols.