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Articles

Juan Gris and Poetry: From Illustration to Creation

Pages 674-692 | Published online: 14 Aug 2014

Frequently Cited Sources

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  • Cooper, D., 1977, Juan Gris: Catalogue raisonné de l'oeuvre peint établi avec la collaboration de Margaret Potter, Paris.
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  • de Costa, R., “Un Poème inconnu de Reverdy: En Marge de son amitié avec Huidobro,” Bulletin du bibliophile, II, 1975, 186–192.
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  • Green, C., 1982, “Purity, Poetry and the Painting of Juan Gris,” Art History, V, 179–204.
  • Green, C., 1987, Cubism and Its Enemies, New Haven, 1987.
  • Greenberg, C., “The Pasted-Paper Revolution,” Art News, LVII, Sept. 1958, 46–49; 60–61.
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  • Kachur, L., 1985, “Gris, Cubismo y collage,” in Tinterow, 33–44.
  • Kahnweiler, D.-H., Juan Gris: Sa Vie, son oeuvre, ses écrits, Paris, 1946.
  • Marcus, S., “The Typographic Element in Cubism, 1911–1915: Its Formal and Semantic Implications,” Art International, XVII, 1973, 24–27; 104.
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  • Monod-Fontaine, I., with E.A. Carmean, Jr., Braque, the Papiers Collés, Washington, D.C., National Gallery of Art, 1982.
  • Raynal, M., “Juan Gris et la métaphore plastique,” Les Feuilles libres, V, 31, 1923, 63–65.
  • Rosenblum, R., “Picasso and the Typography of Cubism,” in R. Penrose, Picasso in Retrospect, New York, 1973, 49–75; 266–268.
  • Rosenthal, M., Juan Gris, Berkeley, University Art Museum, 1983.
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  • Tinterow, G., Juan Gris (1887–1927), Madrid, Ministerio de Cultura, 1985.

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