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Articles

Harnett, Haberle, and Peto: Visuality and Artifice among the Proto-Modern Americans

Pages 37-50 | Published online: 09 May 2014

Frequently Cited Sources

  • Bryson, N., Looking at the Overlooked, Cambridge, 1990.
  • Chirico, R., “Language and Imagery in Late Nineteenth Century Trompe l'Oeil,” Arts Magazine, lix, 7, Mar. 1985, 110–114.
  • Frankenstein, A., After the Hunt, Berkeley, 1969.
  • Gerdts, W., Painters of the Humble Truth: Masterpieces of American Still Life Painting 1801–1939, exh. cat., Philbrook Art Center, Tulsa, Okla., 1981.
  • Groseclose, B., “Vanity and the Artist: Some Still-Life Paintings by William Michael Harnett,” American Art Journal, xix, 1, 1987.
  • Sterling, C., Still Life Painting from Antiquity to the Twentieth Century, New York, 1952.
  • Wilmerding, J., Important Information Inside, New York, 1983.

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