Frequently Cited Sources
- Bartsch, A., Le Peintre-graveur, 21 vols., Leipzig, 1854–70.
- Bolten, J., Method and Practice. Dutch and Flemish Drawing Books, 1600–1750, Landau, 1985.
- Brown University, Department of Art, Children of Mercury. The Education of Artists in the Sixteenth and Seventeenth Centuries, Bell Gallery, List Art Center, Providence, 1984.
- Gotch, J.A., Inigo Jones, London, 1928.
- Harris, J., S. Orgel, and R. Strong, The King's Arcadia: Inigo Jones and the Stuart Court, London, 1973.
- Harris, J., and A.A. Tait, Catalogue of the Drawings by Inigo Jones, John Webb and Isaac de Caus at Worcester College, Oxford, Oxford, 1979.
- Harris, J., and G. Higgott, with J. Peacock, Inigo Jones. Complete Architectural Drawings, Drawing Center, New York, Frick Art Museum, Pittsburgh, and Royal Academy of Arts, London, 1989.
- Orgel, S., and R. Strong, Inigo Jones. The Theatre of the Stuart Court. Including the Complete Designs for Productions at Court for the Most Part in the Collection of the Duke of Devonshire Together with Their Texts and Historical Documentation, 2 vols., London, Berkeley, and Los Angeles, 1973.
- Peacock, J., “Inigo Jones as a Figurative Artist,” in Renaissance Bodies. The Human Figure in English Culture, c. 1540–1660, ed. L. Gent and N. Llewellyn, London, 1990, 154–179.
- Rosand, D., and M. Muraro, Titian and the Venetian Woodcut, Washington, D.C., 1976.
- Smith, Sumner J., “The Italian Sources of Inigo Jones's Style,” Burlington Magazine, XCIV, 1952, 200–207.
- Vasari, G., Le vite de' più eccellenti pittori, scultori et architettori, ed. G. Milanesi, Florence, 1878–85.