56
Views
43
CrossRef citations to date
0
Altmetric
Original Articles

Signifying Identity: Art and Race in Romare Bearden's Projections

Pages 411-426 | Published online: 16 May 2014

Frequently Cited Sources

  • Romare Bearden Papers, 1945–81, Archives of American Art, Smithsonian Institution, Washington, D.C.
  • Bearden, R., “Rectangular Structure in My Montage Paintings,” Leonardo, II, 1969, 11–19.
  • Bearden, R., and C. Holty, The Painter's Mind: A Study of the Relations of Structure and Space in Painting, 1969, repr. with introduction by R. Ellison, New York, 1981.
  • Gates, H. L., Jr., The Signifying Monkey: A Theory of African American Literary Criticism, Oxford, 1988.
  • R. Krauss, “The Ministry of Fate,” in A New History of French Literature, ed. D. Hollier, Cambridge, Mass., 1989, 1000–6.
  • Malraux, A., “Our Cultural Heritage,” 1936, trans. K. Douglas, Yale French Studies, XVIII, Winter 1957, 31–38.
  • Malraux, A., The Voices of Silence, trans. S. Gilbert, New York, 1953. Schwartzman, M., Romare Bearden: His Life and Art, New York, 1991.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.