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Original Articles

On Meditative Thinking in the Creation of Art

Pages 6-8 | Published online: 23 Dec 2015

References

  • Hans Georg Gadamer, Truth and Method, New York: The Seabury Press, 1975.
  • Lao Tsu, Tao Te Ching, New York: Random House, 1972. Translated by Gia-Fu Feng and Jane English.
  • John Dewey, Art as Experience, New York: G. P. Putnam's Sons, 1934.
  • Martin Heidegger, Discourse on Thinking, New York: Harper & Row, 1966. Translated by John M. Anderson and E. Hans Freund.
  • John M. Anderson, “… Since the Time We Are a Dialogue and Able to Hear from One Another,” Man and World, 10, 1978, 115–136.
  • Joan Novosel, “The Structural Existentiality of Arting: Inquiry Into The Nature Of The Creative Process,” Unpublished Doctoral Dissertation, The Pennsylvania State University, 1976.
  • Joan Novosel, Ibid.
  • Sidney M. Jourard, Disclosing Man to Himself, New York: D. Van Nostrand, 1968.
  • Joan Novosel-Beittel, “Inquiry into the Qualitative World of Creating: The S-E Model,” Studies in Art Education, 1, 1978, 26–36.
  • Carl R. Hausman, A Discourse on Novelty and Creation, Netherlands: Martinus Nijhoff, 1975.
  • Bhagwan Shree Rajneesh, The Grass Grows by Itself, India: Rajneesh Foundation, 1976.
  • Martin Heidegger, Being and Time, New York: Harper & Row, 1962. Translated by John Macquarrie and Edward Robinson.
  • Emmanuel Levinas, Totality and Infinity, Pittsburgh: Duquesne University Press, 1969. Translated by Alphonso Lingis.
  • Joan Novosel-Beittel, “Where the Desirable Becomes Existential,” Journal of the Canadian Society for Education Through Art, 1979, in press.

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