References
- Ames, K. (1994). Outside outsider art. In M.D. Hall & E.W. Metcalf, Jr., (Eds.) The artist outsider: Creativity and the boundaries of culture. (pp. 252–272). Washington, DC: Smithsonian Institution Press.
- Borum, J. (1993/1994). Term warfare. Raw Vision, International Journal of Intuitive and Visionary Art. 8, 24–31.
- Bourbonnais, A. (1993). La Fabuloserie Dicy, France. Impression: SAI.
- Brown, M., Hunter, S., Jacobus, J., Rosenblum, N., & Sokol, D. (1979). American art. Englewood Cliffs, NJ: Harry Abrams.
- Cardinal, R. (1972). Outsider art. New York: Praeger.
- Efland, A., Freedman, K., & Stuhr, P. (1996). Postmodern art education: An approach to curriculum. Reston, VA: The National Art Education Association.
- Janis, S. (1942). They taught themselves: American painters of the 20th century. New York: Dial Press.
- Lippard, L. (1990). Mixed blessings: New art in a multicultural America. New York: Pantheon.
- London, P. (1994). Step outside: Community-based art education. Portsmouth, NH: Heinemann.
- MacGregor, R. (1989). The discovery of the art of the insane. Princeton, NJ: Princeton University Press.
- Parsons, P. (1986). Outsider art: Patient art enters the art world. American Journal of Art Therapy 25, 3–12.
- Printzhorn, H. (1995). Bildneri der geisteskrakein: Artistry of the mentally ill: A contribution to the psychology and psychopathology of configuration. (E. Von Brockedorff, Trans.). New York: Springer-Verlang. (Original work published 1923).
- Ragon, M. (1993). La Fabuloserie, Dicy, France: Impression: SAI.
- Thevoz, M. (1976). Art brut. New York Rizzoli.