References
- Brown, J. C. (2001). Biography of Frederick Hart. [www document]. URL http://www.frederickhart.com
- Doss, E. (1995). Spirit poles and flying pigs: Public art and cultural democracy in American communities. Washington, DC: Smithsonian Institution Press.
- Edson, G. (2001). Glenna Goodacre introduction (copied from show catalog): The first 25 years, a retrospective exhibition of sculpture. [www document]. URL http://www.glennagoodacre.com
- Gablik, S. (1995). Connective aesthetics: Art after individualism. In S. Lacy (Ed.), Mapping the terrain: New genre public art (pp. 74–86). Seattle: Bay Press.
- Lacy, S. (1993). Fractured space. In A. Raven (Ed.), Art in the public interest (pp. 287–301). New York: Da Capo Press.
- Lacy, S. (1995). Cultural pilgrimages and metaphoric journeys. In S. Lacy (Ed.), Mapping the terrain: New genre public art (pp. 21–24). Seattle: Bay Press.
- Lacy, S. (Ed.), (1995). Mapping the terrain: New genre public art. Seattle: Bay Press.
- Melchionne, K. (1997). Rethinking site-specificity: Some critical and philosophical problems, Art Criticism, 12 (2), 36–49.
- Raven, A. (Ed.). (1993). Art in the public interest. New York: Da Capo Press.
- Storr, R. (1993). Tilted arc: Enemy of the people? In A. Raven (Ed.), Art in the public interest (pp. 269–285). New York: Da Capo Press.
- Weinstein, J. (1993). Names carried into the future: An AIDS quilt unfolds. In A. Raven (Ed.), Art in the public interest (pp. 43–53). New York: Da Capo Press.