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Instructional Resources

Pablo Cano—The Blue Ribbon: The Art of Appropriation

Pages 25-32 | Published online: 17 Nov 2015

References

  • Anderson, T., & Milbrandt, M. (2005). Art for life. Boston, MA: McGraw-Hill.
  • Buskirk, M. (2003). The contingent object of contemporary art. Cambridge, MA: MIT Press.
  • Cano, P. (2011). Cano art. Retrieved from www.canoart.com/artistbio.htm
  • Clearwater, B. (2005). Pablo Cano: Full circle. D. Fields (Ed.). North Miami, FL: Museum of Contemporary Art.
  • Noguera, P. A. (2008). The trouble with black boys and other reflections on race, equity, and the future of public education. San Francisco, CA: John Wiley & Sons.
  • Owens, C. (2009). The discourse of others: Feminists and Postmodernism. In D. Preziosi (Ed.), The art of art history: A critical anthology (2nd ed., pp. 335–351). New York, NY: Oxford University Press.
  • Scafidi, S. (2005). Who owns culture: Appropriation and authenticity in American law. New Brunswick, NJ: Rutgers University Press.
  • Stewart, M. G., & Walker, S. R. (2005). Rethinking curriculum in art. Worcester, MA: Davis Publications.
  • Traub, J. (2008). Art Rogers vs. Jeff Koons. Retrieved from http://observatory.designobserver.com/entry.html?entry=6467
  • Yazzie-Mintz, E. (2009). Charting the path from engagement to achievement: A report on the 2009 High School Survey of Student Engagement. Bloomington, IN: Center for Evaluation & Education Policy.

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