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Instructional Resources

Stephen Marc: Photographer for Our Time

Pages 25-32 | Published online: 17 Nov 2015

References

  • Barrett, T. (1986). Teaching about photography: Photographs and contexts. Art Education, 39(4) p. 33–36. Retrieved from http://links.jstor.org/sici?sici=0004-3125%28198607%2939%3A4%3C33%3ATAPPAC%3E2.0.CO%3B2-P
  • Freedman, K. (2003). Teaching visual culture: Curriculum, aesthetics, and the social life of art. (pp 2, 5, 126) New York, NY. Teachers College Press.
  • hooks, b. (1995). In our glory: Photography and black life. In L. Wells (Ed.), The photography reader (pp. 387–394). New York, NY: Routledge.
  • Marc, S. (2009). Passage on the underground railroad. Jackson, MS: University Press of Mississippi and Stephen Marc.
  • Marc, S. (2009). Passage on the underground railroad. Retrieved from http://charlesguice\com/portfolio_passage_on_the_underground_railroad.html
  • Marc, S. (1992). The black trans-atlantic experience: Street life and culture in Ghana, Jamaica, England and the United States. Chicago, IL. University of Illinois Press.
  • Marc, S. (1983). Urban notions. Chicago, IL: Ataraxia.
  • Smith, S. W. (2004). Photography on the color line: W.E.B. Du Bois, race, and visual culture. (p. 7). Durham, NC: Duke University Press.
  • Story, L. (2007, January 15). Anywhere the eye can see, it’s likely to see an ad. The New York Times. Retrieved from www.nytimes.com/2007/01/15/business/media/15everywhere.html?_r=1&pagewanted=print
  • Willis, D. (2007). The photographic portrait: Constructing an ideal. In D. Willis (Ed.), Let your motto be resistance: African American portraits (p. 15). Washington, DC: National Museum of African American History and Culture. Smithsonian Institute.

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