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Original Articles

Humor in a Disruptive Pedagogy: Further Considerations for Art Educators

Pages 34-39 | Published online: 16 Nov 2015

Further References

References

  • ART 21. Humor and contemporary art. Retrieved from www.pbs.org/art21/series/seasontwo/humor.html
  • Ball, D. (2007). I don’t know why but fish are just funny: Figuring the event of humour. (Unpublished MA dissertation). Goldsmiths, University of London, England.
  • Bastos, F. (2009). Disruptive pedagogies in art education [Editorial]. Art Education, 62(3), 5.
  • Dales, J. (2009, July 6). Trickster art: Digital storytelling of Chris Bose. Retrieved from www.rabble.ca/news/2009/07/trickster-art-digital-storytelling-chris-bose
  • Davis, E. (1991). Trickster at the crossroads: West Africa’s Gods of messages, sex and deceit. Retrieved from www.techgnosis.com/chunk-show-single.php?chunk=chunkfrom-2005-06-15-2009-0.txt
  • Ellis, L. (1993). Trickster: Shaman of the liminal. Studies in American Indian Literature, 5(4), 55–68.
  • Garoian, C. R. (1999). Performance pedagogy: Toward an art of politics. Albany, NY: SUNY Press.
  • Giroux, H. (1994). Disturbing pleasures: Learning popular culture. London, England: Routledge.
  • Higgie, J. (2007). (Ed.) Artist’s joke. Cambridge, MA: MIT Press.
  • hooks, b. (1994). Teaching to transgress: Education as the practice of freedom. New York, NY: Routledge.
  • Gauti, M. (n.d). Trickster art. Retrieved from http://markgauti.smugmug.com
  • Hyde, L. (1998). Trickster makes this world: Mischief, myth, and art. New York, NY: Farrar, Straus, and Giroux.
  • Klein, S. R. (2007). Art and laughter. London, England: IB Tauris Press.
  • Kushins, J. (2006). Recognizing artists as public intellectuals: A pedagogical imperative. Culture Work, 10(2). Retrieved from http://aad.uoregon.edu/culturework/culturework34.html
  • Molon, D., & Rooks, R. (2005). Situation comedy: Humor in recent art. New York, NY: Independent Curators.
  • New University (2006, February 13). Subversive artist mixes fun and humor with political activism. Retrieved from www.newuniversity.org/2006/02/news/subversive_artist_mixes_fun74
  • Nilsen, Don L. F. (1993). Clowns, fools, picaros, and tricksters. In Humor scholarship: A research bibliography (pp. 42–48). Westport, CT: Greenwood.
  • Nilsen, A. P. &. Nilsen, D. (Eds.). (2000). Encyclopedia of 20th century American humor. Westport, CT: Greenwood.
  • Roukes, N. (2003). Artful jesters: Innovators of visual wit and humor. Berkeley, CA: Ten Speed Press.
  • Ryan, A.J. (1999). The trickster shift: Humour and irony in contemporary Native art. Vancouver, BC: University of British Columbia.
  • Stewart, C. (2009). The “Trickster” and the questionability of questions. Art Education, 62(3), 13–17.
  • Spinks, C. W. (n.d.). The laughter of signs: Semiosis as trickster. Retrieved from www.trinity.edu/cspinks/myth/trixsem.html

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