The romantic elements in De Stijl theory

References

• Blavatsky, H. P. 1893. Isis unveiled: a master-key to the mysteries of ancient and modern science and theology—vol 1, Science. New York: JW Bouton.
   Google Scholar
• Baljeu, J. ed. 1974. Theo van Doesburg. New York: Macmillan.
   Google Scholar
• Blotkamp, C. 1986. Annunciation of the new mysticism: Dutch symbolism and early abstraction. In The spiritual in art: Abstract painting 1890–1985, ed. E. Weisberger, 89–111. New York: Abbeville.
   Google Scholar
• Chilvers, I. 1998. Oxford dictionary of twentieth-century art. Oxford: Oxford University Press.
   Google Scholar
• Cross, S. 1994. Way of Hinduism. London: Thorsons Harper Collins.
   Google Scholar
• Curtis, W. J. R. 1996. Modern architecture since 1900. London: Phaidon.
   Google Scholar
• Desmond, W. 1986. Art and the absolute: a study of Hegel's aesthetics. Albany: State University of New York Press.
   Google Scholar
• Flew, A. 1984. A dictionary of philosophy. London: Pan.
   Google Scholar
• Frampton, K. 1990. De Stijl: The evolution and dissolution of Neoplasticism—1917–31. In Concepts of modern art, ed N. Stangos, 141–159. London: Thames & Hudson.
   Google Scholar
• Fraser, R. 2002. Book review—The shock of the new: art and the century of change by Robert Hughes. Art New Zeeland [Online], # 20. http://www.art-newzealand.com/issues11to20/books2002.htm (accessed 1 February 2007.)
   Google Scholar
• Friedman, M. 1882. De Stijl 1917–31: Visions of utopia. Oxford: Phaidon.
   Google Scholar
• Fry, R. 1961. Vision and design. Harmondsworth: Penguin.
   Google Scholar
• Galbreath, R. 1986. A glossary of spiritual and related terms. In The spiritual in art: Abstract painting 1890–1985, ed. E. Weisberger, 367–391. New York: Abbeville Press.
   Google Scholar
• Greenberg, C. 1940. Towards a newer Laocoon. Partisan Review, 7(4) July-August: 296–310.
   Google Scholar
• Harrison, C. and P. Wood, eds. 2001. Art in theory 1900–1990: An anthology of changing ideas. Massachusetts: Blackwell: 554–560.
   Google Scholar
• Henderson, L. D. 1983. The fourth dimension and non-Euclidean geometry in Modern art. Princeton: Princeton University Press.
   Google Scholar
• Hendricks, R. G. and O. Lock, eds. 1998. Yuan Dao: Tracing Dao to its source. Trans. D.C. Lau and R. T. Ames. New York: Ballantine.
   Google Scholar
• Holtzman, H. and M. S. James, eds. 1986. The new art—the new life: the collected writings of Piet Mondrian. Boston: G. K. Hall.
   Google Scholar
• Honderich, T. ed. 1995. The Oxford companion to philosophy. Oxford: Oxford University Press.
   Google Scholar
• Hughes, R. 1996. The shock of the new: Art and the century of change. London: Thames & Hudson.
   Google Scholar
• Kant, I. 1998. The critique of judgement. In The art of art history: A critical anthology, ed. D. Preziosi, 76–96. Oxford: Oxford University Press.
   Google Scholar
• Kenny, A. ed. 1997. The Oxford illustrated history of Western philosophy. Oxford: Oxford University Press.
   Google Scholar
• Kramer, H. 1995. Mondrian & mysticism: “My long search is over”. The new criterion [Online], September. http://www.newcriterion.com/archive/14/sept95/hilton.htm (accessed 15 January 2004).
   Google Scholar
• Lao Tzu. 1997. Tao te ching. Trans. J. Legge. New York: Dover.
   Google Scholar
• Mautner, T. ed. 2000. The Penguin dictionary of philosophy. London: Penguin.
   Google Scholar
• Mondrian, P. 1918. The new plastic in painting (3: The new plastic as abstract-real painting: plastic means and composition—cont.). De Stijl [Online], 1(4), January 1918: 41–45. http://sdrc.lib.uiowa.edu/dada/De-stijl/001/001/images/001.jpg (accessed 29 June 2006).
   Google Scholar
• Mondrian, P.. 1970. Neoplasticism in painting. In De Stijl, ed. H. L. C. Jaffé, 36–93. London: Thames & Hudson.
   Google Scholar
• Mondrian, P.. 1986a. Natural reality and abstract reality: A trialogue (while strolling from the country to the city). In The new art—the new life: The collected writings of Piet Mondrian, ed. H. Holtzman and M. S. James, 82–123. Boston: G.K. Hall.
   Google Scholar
• Mondrian, P.. 1986c. The new plastic in painting. In The new art—the new life: The collected writings of Piet Mondrian, ed. H. Holtzman and M. S. James, 28–74. Boston: G. K. Hall.
   Google Scholar
• Mondrian, P.. 2001a. Dialogue on the new plastic. In Art in theory 1900–1990: An anthology of changing ideas, ed. C. Harrison and P. Wood, 282–287. Massachusetts: Blackwell.
   Google Scholar
• Museen in Köln [Online]. S.a. www.museenkoeln.de/bild-der-woche/print.asp?bdw=1998_32 (accessed 6 October 2006).
   Google Scholar
• Ouspensky, P. D. 1981. Tertium organum: The third canon of thought—a key to the enigmas of the world. Trans. E. Kadloubovsky and P. D. Ouspensky. London: Routledge & Kegan Paul.
   Google Scholar
• Overy, P. 1991. De Stijl. London: Thames & Hudson.
   Google Scholar
• Panofsky, E. 1968. Idea: A concept in art history. New York: Harper & Row.
   Google Scholar
• Plato. 1969. The republic. In Philosophy of art and aesthetics: From Plato to Wittgenstein, ed. F. A. Tillman and S. M. Cahn, 15–29. New York: Harper & Row.
   Google Scholar
• Quinton, A. 1995. Philosophical Romanticism. In The Oxford companion to philosophy, ed. T. Honderich, 778. Oxford: Oxford University Press.
   Google Scholar
• Romeo, A. C. 1985. Gerrit Rietveld's Red and Blue Chair—what I learned about rest and motion in myself [Online]. http://www.terraingallery.org/Anthony-Romeo-Chair.html (accessed 11 October 2006).
   Google Scholar
• Russell, B. 1985. A history of Western philosophy. London: Unwin.
   Google Scholar
• Scruton, R. 1997. Continental philosophy from Fichte to Sartre. In The Oxford illustrated history of Western philosophy, ed. A. Kenny, 193–238. Oxford: Oxford University Press.
   Google Scholar
• Singer, P. 2001. Hegel: A very short introduction. Oxford: Oxford University Press.
   Google Scholar
• Stangos, N. ed. Concepts of modern art. London: Thames & Hudson.
   Google Scholar
• Taylor, M. C. 1992. Disfiguring: Art, architecture, religion. Chicago: University of Chicago Press.
   Google Scholar
• Tillman, F. A. and S. M. Cahn, eds. 1969. Philosophy of art and aesthetics: From Plato to Wittgenstein. New York: Harper & Row.
   Google Scholar
• Van Doesburg, T. 1970. The will to style: the reconstruction of life, art and technology. In De Stijl, ed H. L. C. Jaffé, 148–163. London: Thames & Hudson.
   Google Scholar
• Warburg, A. 1998. Images from the region of the Pueblo Indians of North America. In The art of art history: A critical anthology, ed D. Preziosi, 177–206. Oxford: Oxford University Press.
   Google Scholar
• Watts, H. 1986. Arp, Kandinsky, and the legacy of Jakob Böhme. In The spiritual in art: Abstract painting 1890–1985, ed. E. Weisberger, 239–255. New York: Abbeville Press.
   Google Scholar
• Wilson, E.O. 1999. Consilience: The unity of knowledge. London: Abacus.
   Google Scholar
• Worringer, W. 1957. Form in Gothic. London: Tiranti.
   Google Scholar
• Worringer, W.. 1967. Abstraction and empathy: A contribution to the psychology of style. London: Routledge & Kegan Paul.
   Google Scholar