19
Views
0
CrossRef citations to date
0
Altmetric
Special feature

Remembering de arte at the time of Walter Battiss (1964–1971)

(Professor Emeritus and former Head)

References

  • Battiss, W. 1967a. The serigraph or screen print. de arte 1: 22–23.
  • Battiss, W. 1967b. The future of art in South Africa. de arte 2: 26.
  • Beeton, R. 1967. Ruskin's nature drawings. de arte 2: 21–25.
  • Beeton, R. 1970. The early Ruskin: The truth of art. de arte 7: 10–21.
  • Beeton, R. 1971. Four stanzas for W.B. de arte 10: 9.
  • Beeton, R. 1974. de arte 16: 4–9.
  • Berman, E. 1965. Art in Johannesburg—1964. de arte (pilot issue): 7–10.
  • Bierman, C. 1968. Pierneef en ons landskap. de arte 4: 18–23.
  • Brooks, R. 1970. Marvellous black boxes: Art and the photographic concept. de arte 7: 24–28.
  • Brown, G. 1968. Norman Eaton (1902–1966). de arte 3: 25–36.
  • Campbell-Gordon, D. 1967. Zambia. de arte 1: 64–65.
  • Cipolla, G. 1969. What is art? de arte 6: 30–35.
  • Coetzer, T. 1971. Boeke deur Walter Battiss. de arte 10: 37–39.
  • Degenaar, J.J. 1969. Kuns as gestileerde werklikheid. de arte 6: 67–77.
  • Dekker, G. 1969. Enkele gedagtes oor kuns: Kuns en werklikheid. de arte 6: 13–25.
  • Ferguson, I. 1968. A note on Raka. de arte 3: 17–20.
  • Fernie, E. 1967. Form in Romanesque sculpture. de arte 1: 7–13.
  • Fosberry, H. 1967. Johannesburg. de arte 1: 60–63.
  • Fransen, H. 1970. Tulbagh—restoring its Cape Dutch heritage. de arte 8: 44–47.
  • Graham, H. 1970. The ceramics of Hylton Nel. de arte 7: 42–43.
  • Grossert, J. 1969. Understanding art leads us to the crafts. de arte 6: 81–96.
  • Harmsen, F. 1965a. Kunsgebeure in Pretoria gedurende 1964. de arte (pilot issue): 26–27.
  • Harmsen, F. 1965b. Anton van Wouw (1862–1945). de arte (pilot issue): 16.
  • Harmsen, F. 1967. A glance at some original sources. de arte 1: 37–48.
  • Harmsen, F. 1968. The artistic relationship between C.M. van den Heever and Pierneef. de arte 4: 24–34.
  • Harmsen, F. 1971. Walter Battiss at UNISA. de arte 10: 32–33.
  • Harmsen, F. 1971. Walter Battiss en die Afrikaanse letterkunde, de arte 10: 40.
  • Harrop-Allin, C. 1967. Le Corbusier and the modern city. de arte 2: 44–54.
  • Harrop-Allin, C. 1970. Modern South African domestic architecture and our Cape Dutch heritage. de arte 8: 50–55.
  • Harrop-Allin, C. 1971. Walter Battiss the schoolteacher. de arte 10: 29–30.
  • Horn, P. 1965. Why I write poetry. de arte (pilot issue): 22.
  • Horn, P. 1967. Some theoretical and practical aspects. de arte 2: 36–42.
  • Hulley, D.J. 1968. Le Corbusier, was he a great planner? de arte 3: 37–43.
  • Jacobs, J. 1970. The anatomy of symbiosis: Marino Marini and D.H. Lawrence. de arte 8: 62–72.
  • Julius, G. 1970. An architectural landmark: Standard Bank Centre. de arte 8: 56–60.
  • Krishna, P.M. 1969. A spiritual approach to art. de arte 6: 36–47.
  • Lakhi, C.M. 1969. Islamic aesthetics: A reassessment. de arte 6: 50–63.
  • Laubscher, E. 1967. Twentieth-century American art: Its character and importance in relation to art in South Africa. de arte 2: 11–25.
  • Levin, H. 1967. Port Elizabeth. de arte 1: 63–64.
  • Macnamara, M. 1967. Can machines produce art? de arte 2: 27–35.
  • Macnamara, M. 1970. The concept of representation. de arte 7: 34–37.
  • Macnamara, M. 1971. Emeritus. de arte 10: 11.
  • Martienssen, H. 1971. Battiss as colleague. de arte 10: 26–27.
  • Mtshali, O.J. 1970. Keep off the grass. de arte 7: 46.
  • O'Connor, P. 1969. Painting: The process and the product. de arte 6: 102–109.
  • Peter Stuyvesant Foundation. 1969. Something old… something new. de arte 6: 97–101.
  • Pietersen, J.J. 1968. Die Dopper Voortrekker. de arte 4: 15–17.
  • Pretorius, S.J. 1967. Aan 'n doodgeskiete mossie. de arte 1: 5.
  • Rand Daily Mail. 1971. Walter Battiss and Dumb Dolly. de arte 10: 41.
  • Sash, C. 1967. Some gropings towards a definition of art. de arte 2: 3–10.
  • Saunders, W. 1971. Chinunga (for Walter Battiss). de arte 10: 12–13.
  • Schoonraad, W. 1971. Walter Wahl [sic] Battiss. de arte 10: 15–24.
  • Skawran, K. 1965a. A man for all seasons. de arte (pilot copy): 7.
  • Skawran, K. 1965b. Edoardo Villa on Michaelangelo and Rodin. de arte (pilot issue): 24–25.
  • Skawran, K. 1967a. The relevance of History of Art as a university discipline, with special reference to the work of a few significant scholars. de arte 1: 29–36.
  • Skawran, K. 1967b. ‘n Oorsig oor die kunsgebeure in 1966. de arte 1: 57–60.
  • Skawran, K. 1969. Middel-Bisantynse freskoskildering—'n inleiding. de arte 5: 43–53.
  • Skawran, K. 1970. Enkele gedagtes oor die werk van Ernst Barlach en Käthe Kollwitz. de arte 8: 34–42.
  • Skawran, K. 1971. A man for all seasons, de arte 10: 7.
  • Skawran, P. 1968. Drie briewe van Otto Dix. de arte 3: 9–16.
  • Skawran, P. 1970. Creative thinking in scientists and artists. de arte 8: 10–20.
  • Templer, J. 1967. Durban. de arte 1: 65–67.
  • Todd, A. 1971. Edoardo Villa se staalmonsters. de arte 9: 43–45.
  • Van Graan, R. and K. Kempff. 1971. Agter die skerms van die uitstalling. Beeldhouwerk van Edoardo Villa, 1960–1970. Pretoriase Kunsmuseum, Julie-Augustus 1970. de arte 9: 46–51.
  • Vorster, A. 1968. Uitbeelding van die Bantoelewe in stedelike gebiede. de arte 3: 49–50.
  • Werth, A. 1968. Die Everard-groep. de arte 4: 9–11.
  • Werth, A. 1969. Is it art? de arte 6: 110–116.
  • Werth, A. 1971. ‘Nesos’ deur Walter Battiss. de arte 10: 34–35.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.