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Original Articles

The Place of Tradition: Heidegger and Benjamin on Technology and Art

Pages 260-274 | Published online: 21 Oct 2014

References

  • For this notion of “nearness” see Jeff Malpas, Heidegger's Topology: Being, Place, World, Cambridge: MIT Press 2007. Hereafter referred to as HT.
  • Martin Heidegger, “The Question Concerning Technology,” Basic Writings. Edited by David Farrell Krell, San Francisco: Harper Collins 1993, 324. Hereafter referred to as QCT.
  • See Babette Babich, “The Essence of Questioning After Technology: Techne as Constraint and the Saving Power,” Journal of the British Society for Phenomenology, Vol. 30(1) 1999, 107.
  • Martin Heidegger, “The Age of the World Picture,” The Question Concerning Technology and Other Essays, translated by William Lovitt, New York: Harper and Row 1977, 136.
  • Howard Caygill, “Benjamin, Heidegger and the Destruction of Tradition,” Walter Benjamin's Philosophy, edited by Andrew Benjamin and Peter Osborne, London: Routledge 1994, 22.
  • Martin Heidegger, “The Origin of the Work of Art,” Basic Writings. Edited by David Farrell Krell, San Francisco: Harper Collins 1993, 167. Hereafter referred to as OWA.
  • Kathleen Wright, “The Place of the Work of Art in the Age of Technology,” Southern Journal of Philosophy, Vol. 22 1984, 577. Hereafter referred to as PWA.
  • For more on this see Kathleen Wright, PWA.
  • Martin Heidegger, “Art and Space,” translated by Charles H. Seibert, Man and World, vol. 9 1973, 3. Hereafter referred to as AS.
  • Howard Caygill, “Benjamin, Heidegger and the Destruction of Tradition,” 27.
  • Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction,” Illuminations, translated by Harry Zohn, New York: Harcourt Brace & World 1968, 223. Hereafter referred to as WOA.
  • Walter Benjamin, see footnote 3, WOA, 245.
  • Yvonne Sherratt, “Aura: The Aesthetic of Redemption?” Philosophy and Social Criticism, Vol. 24(1) 1998, 33.
  • Willem Van Reijen, “Breathing the Aura—The Holy, the Sober Breath,” Theory, Culture & Society, Vol. 18(6) 2001, 31–50.
  • Walter Benjamin, The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin, Cambridge: Harvard University Press 1999, 337.
  • Howard Caygill, “Benjamin, Heidegger and the Destruction of Tradition,” 27.
  • Krzysztof Ziarek, “The Work of Art in the Age of its Electronic Mutability,” Walter Benjamin and Art. Edited by Andrew Benjamin, London: Continuum Publishing 2005, 214.
  • Howard Caygill, “Benjamin, Heidegger and the Destruction of Tradition,” 23.

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