References
- 1985 . The Visual Arts, Pictorialism, and the Novel , Princeton : Princeton U. P. . All subsequent page-references to this study will be included parenthetically in the text of the essay
- Placer , Fernando Jiménez . 1935 . Historia del arle espaáol , 493 Barcelona : Labor .
- Ferrari , Enrique Lafuente . 1948 . 'Los paisajes de Ignacio Zuloaga' . Principe de Viana , IX : 439
- Barrio-Garay , José Luis . 1978 . José Gutiérrez Solana. Paintings and Writings , 54 Lewisburg : Bucknell U. P. .
- Heffernan , James . 1987 . “ The Temporalization of Space in Wordsworth, Turner, and Constable' ” . In Space, Time, Image, Sign. Essays on Literature and the Visual Arts , 66 – 67 . New York : Peter Lang . Azorín's interest in Constable and Turner may correlate with the reasons given by Lafuente Ferrari and others for his interest in Zuloaga and the Impressionists: both British painters sought to represent 'patterns that told a temporal story';
- 1954 . Pintar como querer , 173 Madrid : Biblioteca Nueva . Commenting on Turner's The Evening Star (a favourite painting), Azorín observed that the artist 'se ha esforzado por precisar lo impreciso … él ha querido fijar un momento, un solo momento'; Paintings by Turner are significant in other work by Azorín: La isla sin aurora, Capricho, Saluadora de Olbena
- del Carmen Pena López , María . 1982 . Pintura de paisaje e ideologia. La generacion del '98 , 43 – 44 . Madrid : Taurus . The Spanish painter Martin Rico, whose influence on Aureliano de Beruete--the foremost Spanish Impressionist--was so significant, studied for a brief time in France with Charles Daubigny
- Herbert , Robert L. 1962 . Barbizon Revisited , 48 63 Boston : Museum of Fine Arts . Corot and Daubigny, the two most important antecedents of the landscape Impressionists, were especially known for their technique of applying paint in little spots of colour, their attempts to capture 'impressions' of landscapes on canvas, and the feeling of 'improvisation' rather than a formally academic finish to their work
- Sypher , Wylie . 1960 . Rococo to Cubism in Art and Literature , 178 New York : Random House . On the work of Monet, colour values and space
- 1987 . Salome and the Dance of Writing , 136 Chicago : Univ. of Chicago Press .
- Kestner , Joseph A. 1978 . The Spatiality of the Novel , 110 – 11 . Detroit : Wayne State U. P. .
- Weinsheimer , Joel . 1991 . Philosophical Hermeneutics and Literary Theory , 79 108 New Haven : Yale U. P. .
- 1985 . Reading Frames in Modern Fiction , 10 Princeton : Princeton U. P. . I am indebted to Mary Ann Caws for the term 'double-text-in-progress'
- Krieger , Murray . 1992 . Ekphrasis. The Illusion of the Natural Sign , 265 – 66 . Baltimore : Johns Hopkins U. P. .
- Mandelker , Amy . 1990 . 'A Painted Lady: Ekphrasis in Anna Karenina' . Comparative Literature , XLIII : 2