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Part I: The Middle Ages and The Siglo de Oro

Elizabethan Hispanists, Lope de Vega and Shakespeare

Pages 91-96 | Published online: 22 Nov 2018

NOTES

  • Leslie Hotson, I William Shakespeare (London: Cape, 1937), 258.
  • BHS, XXX (1953), 84.
  • Paul Morgan, Shakespeare Survey, XVI (1963), 118.
  • Short Title Catalogue, 3613. The inscribed copy of Lope is in the library of BaHiol College.
  • Gustav Ungerer, A Spaniard in Elizabethan England (London: Tamesis, 1974–76, 2 vols, 11. 377 ff.
  • Edward M. Wilson, The Listener (June 1952), 926.
  • Book I.
  • Yet I defend what I have written, though if I had striven for a stricter style The plays might have been better; but I know My faithful public would have run a mile; Their principles, alas, are so debased, My very lapses satisfy their taste.
  • The White Devil, ed. John Russell Brown (London: Methuen, 1960), 3.
  • Robert Garnier's Cornélie.
  • Sonnets 110, 111.
  • By an act of 1572, actors not servants of a nobleman were classed as rogues and vagabonds.
  • Cf. A. Thaler, Shakespeare and Sir Philip Sidney (Boston: Harvard U.P., 1947).
  • Jonson admits in his elegy that Shakespeare's art must enjoy part of the credit.
  • Although Shakespeare knew the landlord of the Mermaid Tavern, Beaumont's description of the conversation there may refer to a somewhat later period. Hugh Holland and Jonson, who contributed eulogies to the First Folio, were known to be Mermaid regulars.
  • See the Herford and Simpson edition of Jonson: I. 49, 79–83; II, 376–78; VIII, 583–84; X, 51–52.
  • Thomas Fuller was too young to have been present at the wit-combats between Jonson and Shakespeare: he probably invented them from his knowledge of their writings.
  • ‘We have scarce received a blot in his papers.’
  • The Tempest, Epilogue 13.
  • II. 1615 ff.
  • The Tempest IV. i. 41.

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