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Part II: The Modern Period

Saura's Bodas de sangre: Play into Film

Pages 275-282 | Published online: 22 Nov 2018

NOTES

  • See Agustín Sánchez Vidal, El cine de Carlos Saura (Zaragoza: Ed. Caja de Ahorros de la Inmaculada, 1988), 158.
  • Robin W. Fiddian and Peter W. Evans, Challenges to Authority: Fiction and Film in Contemporary Spain (London: Tamesis, 1988), 83.
  • A. Sánchez Vidal, El cine de Carlos Saura, 154.
  • Carlos Saura, Antonio Gades, Carmen: el sueño del amor absoluto (Barcelona: Ediciones Folio, 1984), 50–51.
  • See Francisco Aranda, Luis Buñuel: A Critical Biography, trans. David Robinson (London: Seeker and Warburg, 1975).
  • A. Sánchez Vidal, El cine de Carlos Saura, 154.
  • The mirror and the image it reflects, as well as the relationship of past to present, fiction to reality, have a similar importance in Saura's Carmen.

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