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Part II: The Modern Period

Two Poet-Novelists of Peru

Pages 289-296 | Published online: 22 Nov 2018

NOTES

  • See Martín Adán, Obras en prosa, ed. Ricardo Silva Santisteban (Lima: Edubanco, 1982), 1–87. All references are to this edition. See also Mario Castro Arenas, ‘Cimientos estéticos de La casa de cartón’, in De Palma a Vallejo (Lima: Populibros Peruanos, 1964), 125–35; John M. Kinsella, ‘The Artist as Subject: A Study of Martín Adán's La casa de cartón’, in Belfast Spanish and Portuguese Papers, ed. P. S. N. Russell-Gebbett et al. (Belfast: Queen's Univ., 1979), 69–77; John M. Kinsella, ‘Realism, Surrealism and La casa de cartón’, in Before the Boom: Four Essays in Latin American Literature before 1940, ed. Steven Boldy, Centre for Latin American Studies Monographs 10 (Liverpool: Univ. of Liverpool, 1981), 31–39; Luis Loayza, ‘Martín Adán en su casa de cartón’, in El sol de Lima (Lima: Mosca Azul, 1974), 127–41; Hubert P. Weller, ‘La casa de cartón de Martín Adán y el mar como elemento metafórico’, Letras (Lima) (1961), Nos. 66/67, 142–53.
  • Martín Adán, Obra poética, ed. Ricardo Silva-Santisteban (Lima: Edubanco, 1980), 104.
  • See Jorge Eduardo Eielson, El cuerpo de Giulia-no (Mexico City: Joaquín Mortiz, 1971). All references are to this edition.
  • Adán, Obra poética, 149.
  • Jorge Eduardo Eielson, Poesía escrita (Lima: Instituto Nacional de Cultura, 1976), 234.

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