NOTES
- Unless otherwise specified, the information presented in this paper derives from my working experience with Ebony G. Patterson as a curator and art writer.
- This artist's statement has appeared on extended exhibition labels and in several publications, including: Gangstas, Disciplez + the Doiley Boyz, Mixed Media Works by Ebony G. Patterson, exhibition catalogue (Kingston: Ebony G. Patterson, 2009).
- Nicholas Laughlin, “Ebony G. Patterson: All the Right Moves”, Caribbean Beat 117 (September/October 2012), http://caribbean-beat.com/ebony-g-patterson-all-right-moves#axzz3OZX3tW5u.
- Donna Hope, “Introduction”, Gangstas, Disciplez + the Doiley Boyz, exhibition catalogue.
- Tim Barringer, Gillian Forrester, and Barbaro Martinez-Ruiz, eds., Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds (New Haven: Yale Center for British Art and Yale University Press, 2007).
- Laughlin, “Ebony G. Patterson”.
- The exhibition was a turning point in the National Gallery's exhibition history, as it engaged newer and more diverse audiences which had not previously been attracted to, or comfortable with, what the gallery had to offer. For a further analysis, see Veerle Poupeye, “Curating in the Caribbean: Changing Curatorial Practice in Jamaica”, in Curating in the Caribbean, ed. David A. Bailey, Alissandra Cummins, Axel Lapp and Allison Thompson (Berlin: Green Box, 2012), 153–79.
- A later version of this installation was in 2014 shown at the Nerman Museum of Contemporary Art, Johnson County Community College, Overland Park, Kansas This later version is illustrated.
- Kei Miller, “Languages beyond Meaning”, National Gallery of Jamaica blog, 9 March 2013, https://nationalgalleryofjamaica.wordpress.com/2013/03/09/kei-miller-languages-beyond-meaning/.
- Ebony G. Patterson, “The Of 72 Project”, Small Axe 38 (2012): 138.
- This performance was commissioned for En Mas, a project that brings Caribbean carnival traditions and contemporary art into dialogue. The project is curated by Claire Tancons and Krista Thompson for Independent Curators International.
- Annie Paul, “‘No Grave Cannot Hold My Body Down’: Rituals of Death and Burial in Postcolonial Jamaica”, Small Axe 23 (2007): 142–46.