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Articles

Rethinking Subjectivity after Postmodernism: The Many Faces of Henry James in the Contemporary Literary Imagination

Works cited

  • Contemporary James Fictions
  • Banville, John. Mrs Osmond. Viking, 2017.
  • Hollinghurst, Alan. The Line of Beauty. Introduction by Sebastian Faulks. Picador Classic, [2004] 2015.
  • Lodge, David. Author, Author: A Novel. Secker & Warburg, 2004.
  • Ozick, Cynthia. Dictation: A Quartet. Houghton Mifflin, 2010a, pp. 1–50.
  • –––. Foreign Bodies. Atlantic, 2010b.
  • Tóibín, Colm. The Master: A Novel. Scribner, [2004] 2005.
  • Other Primary Texts
  • Banville, John. “Northern Lights and the Mystery of Mr James.” Irish Times, vol. 11, May, 1993, p. 9.
  • Celan, Paul. “Todesfuge.” Paul Celan Gedichte: Eine Auswahl. S. Fischer, [1945] 1959, pp. 8–9.
  • James, Henry. “Letter to H. G. Wells. 10 July 1915.” Henry James: Letters, edited by Leon Edel, Vol. IV: 1895–1916, Belknap P, 1984, pp. 768–70.
  • –––. “Preface.” The Golden Bowl, Vol. 1, Augustus M. Kelley, [1909] 1971, pp. v–xxv.
  • –––. “Preface.” The Portrait of a Lady, edited by Philip Horne, Penguin Classics, [1881] 2014, pp. 828–40.
  • –––. The Ambassadors, edited by Adrian Poole, Penguin, [1902] 2008.
  • –––. The Notebooks of Henry James, edited by F. O. Matthiessen and Kenneth B. Murdock, Oxford UP, 1961.
  • –––. The Portrait of a Lady, edited by Philip Horne, Penguin Classics, [1881] 2014.
  • Lodge, David. The Year of Henry James: The Story of a Novel. Penguin, 2006.
  • Ozick, Cynthia. Trust. MacGibbon & Kee, 1966.
  • –––. “Woman and Creativity: The Demise of the Dancing Dog.” Woman in Sexist Society: Studies in Power and Powerlessness, edited by Vivian Gornick and Barbara K. Moran, New American Library, 1971, pp. 431–51.
  • –––. The Shawl. Jonathan Cape, 1991.
  • –––. “The Lessons of the Master.” A Cynthia Ozick Reader, edited by Elaine M. Kauvar, Indiana UP, 1996, pp. 273–78.
  • Secondary Literature
  • Adorno, Theodor W. “Kulturkritik und Gesellschaft.” Prismen: Kulturkritik und Gesellschaft, dtv, 1963, pp. 7–26.
  • Anesko, Michael. Monopolizing the Master: Henry James and the Politics of Modern Scholarship. Stanford UP, 2012.
  • Barthes, Roland. “The Death of the Author.” Image – Music – Text, edited by and translated by Stephen Heath, Fontana, 1977, pp. 142–48.
  • Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser, U of Michigan P, 1994.
  • Bertens, Hans. “Postmodernist Authorship.” The Cambridge Handbook of Literary Authorship, edited by Ingo Berensmeyer, et al., Cambridge UP, 2019, pp. 183–200.
  • Brooker, Peter. “Introduction: Reconstructions.”Modernism/Postmodernism, edited by Peter Brooker, Longman, 1992, pp. 1–25.
  • Burke, Seán. “Introduction: Reconstructing the Author.” Authorship: From Plato to the Postmodern: A Reader, edited by Seán Burke, Edinburgh UP, 1995, pp. xv–xxx.
  • –––. The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida. Edinburgh UP, [1992] 2008.
  • D’hoker, Elke. “Everything Has to Be Qualified: Reading as Misreading in John Banville and Paul De Man.” Critique: Studies in Contemporary Fiction, vol. 59, no. 5, 2018, pp. 536–46. Accessed 16 May 2019. doi:10.1080/00111619.2018.1427546.
  • Dimock, Wai Chee. “Weak Theory: Henry James, Colm Tóibín and W. B. Yeats.” Critical Inquiry, vol. 39, no. 4, 2013, pp. 732–53. Accessed 23 May 2019. doi:10.1086/671354.
  • Eastham, Andrew. “Inoperative Ironies: Jamesian Aestheticism and Postmodern Culture in Alan Hollinghurst’s The Line of Beauty.” Textual Practice, vol. 20, no. 3, 2006, pp. 509–27. Accessed 16 May 2019. doi:10.1080/09502360600829008.
  • Finch, Charles. “John Banville’s ‘Mrs Osmond’ and the Impossibility of Imitating Henry James.” Review of Mrs Osmond by John Banville. The New Yorker, 7 Dec. 2017, n.p. Accessed 17 May 2019.
  • Gilbert, Sandra M., and Susan Gubar. “The Madwoman in the Attic.” Authorship: From Plato to the Postmodern: A Reader, edited by Seán Burke, Edinburgh UP, 1995, pp. 151–61.
  • Gordon, Lyndall. A Private Life of Henry James: Two Women and His Art. Chatto & Windus, 1998.
  • Gorra, Michael. “The Lady Lives on in ‘Mrs Osmond.” Review of Mrs Osmond by John Banville. Wall Street Journal Online, 3 Nov. 2017, n.p. Accessed 22 May 2019.
  • Greaney, Michael. Contemporary Fictions and the Uses of Theory: The Novel from Structuralism to Postmodernism. Palgrave Macmillan, 2006.
  • Gunter, Susan E., and Steven H. Jobe, eds. Dearly Beloved Friends: Henry James’s Letters to Younger Men. U of Michigan P, 2001.
  • Habermas, Jürgen. “Modernity – An Incomplete Project.” Postmodern Culture, edited by Hal Foster, Pluto P, 1985, pp. 3–15.
  • Hannah, Daniel K. “The Private Life, the Public Stage: Henry James in Recent Fiction.” Journal of Modern Literature, vol. 30, no. 3, 2007, pp. 70–94. Accessed 26 May 2019. doi:10.2979/JML.2007.30.3.70.
  • Hoesterey, Ingeborg. “From Genre Mineur to Critical Aesthetic: Pastiche.” European Journal of English Studies, vol. 3, no. 1, 1999, pp. 78–86. Accessed 17 May 2019. doi:10.1080/13825579908574431.
  • Horne, Philip. “What Isabel Knew.” Review of Mrs Osmond by John Banville. TLS, 6 Oct. 2018, pp. 23–24. Accessed 16 May 2019.
  • Hutcheon, Linda. The Politics of Postmodernism. Routledge, 1989.
  • –––. A Theory of Adaption. Routledge, 2006.
  • James, David. “Modernist Narratives: Revisions and Rereadings.” The Oxford Handbook of Modernism, edited by Peter Brooker, et al., Oxford UP, 2010, pp. 86–107.
  • –––. “Integrity after Metafiction.” Twentieth-Century Literature, vol. 57, no. 3–4, 2011, pp. 492–516. Accessed 26 May 2019. doi:10.1215/0041462X-2011-4006.
  • –––. Discrepant Solace. Oxford UP, 2019.
  • Jameson, Frederic. “Postmodernism and Consumer Society.” Modernism Postmodernism: A Reader, edited by Peter Booker, Longman, 1992, pp. 163–79.
  • Johnson, Allan. Alan Hollinghurst and the Vitality of Influence. Palgrave Macmillan, 2014.
  • Kaplan, Cora. Victoriana: Histories, Fictions, Criticisms. Edinburgh UP, 2007.
  • Kaplan, Fred. Henry James: The Imagination of a Genius. Morrow, 1992.
  • Kenny, John. John Banville. Irish Academic P, 2009.
  • Kent, Jessica Anne. Novelizing Henry James: Contemporary Fiction’s Obsession with the Master and His Work. 2015. Boston U, PhD dissertation.
  • Kessner, Carole S. “Foreign Bodies: A Pentimento.” Studies in American Jewish Literature, vol. 31, no. 2, 2012, pp. 200–15. Accessed 23 May 2019. doi:10.5325/studamerjewilite.31.2.0200.
  • Kosofsky Sedgwick, Eve. Epistemology of the Closet. U of California P, 1990.
  • Layne, Bethany. “‘Henry Would Never Know He Hadn’t Written It Himself’: The Implications of ‘Dictation’ for Jamesian Style.” The Henry James Review, vol. 35, no. 3, 2014, pp. 284–56. Accessed 28 May 2019. doi:10.1353/hjr.2014.0039.
  • –––. “Portraits and Palimpsests.” Review of Mrs Osmond by John Banville. The Henry James Review, vol. 39, no. 1, 2018a, pp. E1–E3. Accessed 16 May 2019. doi:10.1353/hjr.2018.0007.
  • –––. “The Turn of the Century: Henry James in Millennial Fiction.” The Henry James Review, vol. 39, no. 2, 2018b, pp. 178–94. Accessed 12 May 2019. doi:10.1353/hjr.2018.0013.
  • Light, Alison. “Writing Lives.” The Cambridge History of Twentieth-Century English Literature, edited by Laura Marcus and Peter Nicholls, Cambridge UP, 2004, pp. 751–67.
  • Lyotard, Jean-François. “Answering the Question: What Is Postmodernism?” Modernism/Postmodernism, edited by Peter Brooker, Longman, 1992, pp. 139–50.
  • Matz, Jesse. “Pseudo-Impressionism?.” The Legacies of Modernism: Historicising Postwar and Contemporary Fiction, edited by David James, Cambridge UP, 2012, pp. 114–32.
  • Mendelssohn, Michèle, and Denis Flannery. “Introduction: A Dialogue on Influence.” Alan Hollinghurst: Writing under the Influence, edited by Michèle Mendelssohn and Denis Flannery, Manchester UP, 2016, pp. 1–11.
  • Miller, Nancy K. “Changing the Subject: Authorship, Writing and the Reader.” Authorship: From Plato to the Postmodern: A Reader, edited by Seán Burke, Edinburgh UP, 1995, pp. 193–211.
  • Mitchell, Kaye. “‘Who are You? What the Fuck are You Doing Here?’: Queer Debates and Contemporary Connections.” Alan Hollinghurst: Writing under the Influence, edited by Michèle Mendelssohn and Denis Flannery, Manchester UP, 2016, pp. 174–90.
  • Murphet, Julian. “Fiction and Postmodernity.” The Cambridge History of Twentieth-Century English Literature, edited by Laura Marcus and Peter Nicholls, Cambridge UP, 2004, pp. 716–35.
  • Perkin, J. Russel. “Imagining Henry: Henry James as a Fictional Character in Colm Tóibín’s The Master and David Lodge’s Author, Author.” Journal of Modern Literature, vol. 33, no. 2, 2010, pp. 114–30. Accessed 3 May 2019. doi:10.2979/jml.2010.33.2.114.
  • Pinsker, Sanford. “Turning the Jamesian Novel Upside Down.” Review of Foreign Bodies by Cynthia Ozick, The Sewanee Review, vol. 119, no. 3, 2011, pp. xliii–xliv. doi:10.1353/sew.2011.0064.
  • Ramalho de Sousa Santos, Maria Irene. “Isabel’s Freedom: Henry James’s The Portrait of a Lady.” Modern Critical Interpretations: Henry James’s The Portrait of a Lady, edited by Harold Bloom,Chelsea House, 1987, pp. 117–30.
  • Rivkin, Julie. “Writing the Gay ‘80s with Henry James: David Leavitt’s A Place I’ve Never Been and Alan Hollinghurst’s The Line of Beauty.” The Henry James Review, vol. 26, no. 3, 2005, pp. 282–92. Accessed 27 May 2019. doi:10.1353/hjr.2005.0022.
  • Rowe, John Carlos. “Literary Adaptations of James in Roth’s, Ozick’s and Franzen’s Work.” CLCWeb: Comparative Literature and Culture, vol. 16, 2014, n.p. Accessed 29 May 2019. doi:10.7771/1481-4374.2414.
  • Sabiston, Elizabeth Jean. The Prison of Womanhood: Four Provincial Heroines in Nineteenth Century Fiction. Macmillan, 1987.
  • Saunders, Max. “Biography, Portraits and Self-Portraits, Masked Authorship, and Autobiografictions.” Late Victorian into Modern, edited by Laura Marcus et al., Oxford UP, 2016, pp. 511–24.
  • Savu, Laura. Postmortem Postmodernists: The Afterlife of the Author in Recent Narrative. Farleigh Dickinson UP, 2009.
  • Tintner, Adeline R. Henry James’s Legacy: The Afterlife of His Figure and Fiction. Louisiana State UP, 1998.
  • White, Edmund. “Mrs Osmond by John Banville – Superb Henry James Pastiche.” Review of Mrs Osmond by John Banville. The Guardian, 14 October 2017, n.p. Accessed 17 May 2019.
  • Zahavi, Dan. “The Experimental Self: Objections and Clarifications.” Self, No Self? Perspectives from Analytical, Phenomenological and Indian Traditions, edited by Mark Siderits, et al., Oxford University Press, 2010, pp. 56–78. Oxford Scholarship Online. Accessed 30 May 2019.

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