Works Cited
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- Aaronovitch, Ben. Rivers of London. Gollancz, London. 2011b.
- Aaronovitch, Ben. Whispers Under Ground. Gollancz, London. 2012.
- Aaronovitch, Ben. Broken Homes. Gollancz, London. 2013.
- Aaronovitch, Ben. Foxglove Summer. Gollancz, London. 2014.
- Aaronovitch, Ben. The Hanging Tree. Gollancz, London. 2016.
- Aaronovitch, Ben. Lies Sleeping. Gollancz, London. 2018.
- Aaronovitch, Ben. False Value. Gollancz, London. 2020.
- Borowska-Szerszun, Sylwia. “Ethnic and Cultural Diversity in Ben Aaronovitch’s Urban Fantasy Cycle Rivers of London.” Nordic Journal of English Studies, vol. 18, no. 1, 2019, pp. 1–26. doi:10.35360/njes.488.
- Cates, Isaac. “Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean.” Drawing from Life: Memory and Subjectivity in Comic Art, edited by Jane Tolmie. UP of Mississippi. 2013, pp. 144–62.
- Collier, John Payne. Punch and Judy: A Short History with the Original Dialogue. Dover. 2006 orig. 1828.
- Cowart, David. History and the Contemporary Novel. Southern Illinois UP, Carbondale. 1989.
- Cox, Jennifer. “From Stage to Page: Adaptation as Survival in Neil Gaiman’s Mr. Punch.” Journal of the Fantastic in the Arts, vol. 30, no. 2, 2019, pp. 176–97.
- Cox, J. Stevens. “Mumming and the Mummers’ Play of St. George: Three Versions Including that of Thomas Hardy.” Monographs on the Life, Times and Works of Thomas Hardy, no. 67, Toucan P, 1970, 429-453.
- France, Sarah. “‘The Onlyes Power Is No Power’: Disrupting Phallocentrism in the Post-Apocalyptic Space of Russell Hoban’s Riddley Walker (1980).” Fantastika Journal, vol. 4, no. 1, 2020, pp. 84–98.
- Gaiman, Neil. American Gods. HarperTorch, New York. 2001.
- Gaiman, Neil. The Ocean at the End of the Lane. William Morrow, New York. 2013.
- Gaiman, Neil, and Illustrated By Dave Mckean. Coraline. Harper. 2002 ; revised edition 2012.
- Gaiman, Neil, and Dave McKean. The Tragical Comedy or Comical Tragedy of Mr. Punch: A Romance. DC Comics/Vertigo. orig. 1994; 1995.
- Gaiman, Neil. Violent Cases. Dark Horse Books. 2003 orig 1987.
- Gaiman, Neil, and Several Illustrators. The Absolute Sandman Volume Four. Vertigo, New York. 2008.
- Goldweber, David E. “Mr. Punch, Dangerous Savior.” International Journal of Comic Art, vol. 1, no. 1, 1999, pp. 157–70.
- Hoban, Russell. Riddley Walker. Orig. 1980 ; expanded edition, Indiana UP, 1998.
- Hume, Kathryn. The Metamorphoses of Myth in Fiction since 1960. Bloomsbury Academic, New York and London. 2020.
- Kilgore, Christopher D. “At the Edge of the Barely Perceptible: Temporality and Masculinity in Mr. Punch and Violent Cases.” The Artistry of Neil Gaiman: Finding Light in the Shadows, edited by Joseph Michael Sommers and Kyle Eveleth. UP of Mississippi, 2019, pp. 69–92.
- Lethbridge, Stefanie. “The Wisdom of the Folly: Co-operative Diversity in Ben Aaronovitch’s Rivers of London Series.” London Post-2010 in British Literature and Culture, edited by Oliver von Knebel Doeberitz and Ralf Schneider. Brill/Rodopi, 2017, pp. 235–53.
- Shershow, Scott Cutler. “‘Punch and Judy’ and Cultural Appropriation.” Cultural Studies, vol. 8, no. 3, 1994, pp. 527–55. doi:10.1080/09502389400490351.
- Vaught, Jennifer C. “The Mummers’ Play St. George and the Fiery Dragon and Book I of Spenser’s Faerie Queene.” The Literary Artifact in Theory, Culture, or History, vol. 3, 2010, pp. 85–106.
- Zimmerman, Lee. Trauma and the Discourse of Climate Change. Routledge, London and New York. 2020.