Notes
- Leo Rosten , Hollywood: The Movie Colony; The Movie Makers ( New York : Harcourt, Brace & Company , 1941 ). Reprinted in The Literature of Cinema series (New York: Arno Press and The New York Times, 1970), p. 313.
- Ibid. , p. vi .
- Ibid. , p. 316 .
- This article is drawn from the general editor's foreword to Graham Greene: The Films of His Fiction by Gene D. Phillips , S. J. ( New York : Teachers College Press , 1974 ). The complete essay draws on research and writing being done under auspices of the Institute of Philosophy and Politics of Education, Teachers College, Columbia University.
- Arthur B. Reeve , The Film Mystery ( New York : Harper & Bros , 1921 ).
- Ibid. , p. 43 .
- “A Magnificent Pity For Camels,” in Diversion: Twenty-two Authors On the Lively Arts , ed. John Sutro ( London : Max Parrish , 1950 ), p. 181 .
- Ibid. , p. 185 .
- “The Modern System of the Arts: A Study in the History of Aesthetics,” The Journal of the History of Ideas 13 ( 1952 ). Reprinted in Ideas In Cultural Perspective, ed. Philip P. Weiner and Aaron Noland (New Brunswick, N.J.: Rutgers University Press, 1962), p. 205.
- Sergei Eisenstein , “Dickens, Griffith, and the Film Today,” in Film Form: Essays In Film Theory , ed. and trans. Jay Leyda ( New York : Harcourt, Brace and Company , 1949 ), p. 232 .
- Hortense Powdermaker , Hollywood, the Dream Factory: An Anthropologist Looks At the Movie Makers ( Boston : Little, Brown & Company , 1950 ). See especially Chapter VII, “The Scribes”; Chapter VIII, “Assembling the Script”; and Chapter IX, “The Answers.”
- Nigel Balchin , “Writing In Pictures,” in Diversion , p. 154 .
- In the series Studies in Culture and Communication ( New York : Teachers College Press , 1974 ), p. 187 .
- Martin S. Dworkin , “The Printed Screen,” The Educational Forum 33 ( November 1968 ): 109 ; also in Quadrant (Sydney) 13 (January-February 1970): 51.