Works Cited
- 9/30: Ten Questions With Joshua Bennett. https://300questions.wordpress.com/2014/04/09/930-ten-questions-with-joshua-bennett/. 9 April 204. Accessed on 10 October 2018.
- 12 or 20 (second series) questions with Megan Ross, https://robmclennan.blogspot.com/2018/08/12-or-20-second-series-questions-with_17.html?m = 1 . 17 August 2018. Accessed on 10 October 2018.
- Actress Noma Dumezweni reads Wordsworth’s Daffodils. http://www.bbc.com/news/video_and_audio/headlines/39325952/actress-noma-dumezweni-reads-wordsworth-s-daffodils. 20 March 2017. Accessed on 10 October 2018.
- Andriescu, Radu. ‘Spoken poetry: the rules of social discontent’. Linguaculture, 2, 2012: 11-22.
- Berold, Robert (ed), South African Poets on Poetry. Interviews from New Coin 1992–2001. Scottsville: Gecko Poetry, 2003.
- Black, Malachi. ‘Skeltonic prosody in Basil Bunting's Briggflatts’. Textual Practice, 2014: 861-879. doi: 10.1080/0950236X.2014.936488
- Castro-Gomez, Santiago and Martin, Desiree. A. ‘The Social Sciences, Epistemic Violence, and the Problem of the “Invention of the Other”’. Nepantla: Views from South, Volume 3, Issue 2, 2002: 269-285.
- Coetzee, J. M. ‘What is a classic?’. Current Writing: Text and Reception in Southern Africa, 5:2, 1993: 7-24. doi: 10.1080/1013929X.1993.9677907
- Cooper, Carolyn. ‘Words unbroken by the beat: The performance poetry of Jean Binta Breeze and Mikey Smith’, Wasafiri, 5:11, 1990: 7-13. doi: 10.1080/02690059008574199
- d’Abdon, Raphael. ‘Teaching spoken word poetry as a tool for decolonizing and africanizing the South African curricula and implementing “literocracy”’. Scrutiny2, 21:2, 2016: 44-62.
- Diana Ferrus Open Book 2013 CTVNews. https://www.youtube.com/watch?v = i4GSeB6BWqg. 9 September 2013. Accessed on 10 October 2018.
- Dotson, Kristie. ‘Tracking Epistemic Violence, Tracking Practices of Silencing’. Hypatia, Vol. 26, No. 2. 2001: 236-257. doi: 10.1111/j.1527-2001.2011.01177.x
- Fisher, Margaret. ‘The Music of Ezra Pound’. The Yale University Library Gazette. 2006: 139-160.
- Finnegan, Ruth. Oral Literature in Africa. Cambridge: Open Book Publishers, 2012.
- Fowley, John Miles. ‘Basque Oral Poetry Championship’. Oral Tradition Journal, 22, 2. 2007.
- Hofmeyr, Isabel. We Spend our Years as a Tale that is Told: Oral Historical Narrative in a South African Chiefdom. Portsmouth: Heinemann, 1994.
- Galgut, Elisa. Reviews. Stanzas. Number 10, 2017:43-44.
- Gingell, Susan. ‘“Always a Poem, Once a Book”: Motivations and Strategies for Print Textualizing of Caribbean-Canadian Dub and Performance Poetry’. Journal of West Indian Literature, Vol. 14, No. ½, 2005: 220-259.
- Gqola, Pumla Dineo. Reflecting Rogue. Inside the mind of a feminist. Johannesburg: MF Books, 2017.
- Gregory, Helen. Texts in Performance: Identity, Interaction and Influence in U.K. and U.S. Poetry Slam Discourses. Submitted by Helen Gregory, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Sociology, 2009.
- Hall, Donald. Thank You Thank You..https://www.newyorker.com/books/page-turner/thank-you-thank-you. 26 October 2012. Accessed on 10 October 2018
- KRS One raps to Vivaldi. https://www.youtube.com/watch?v = GuS1ol95JQo. 6 October 2010. Accessed on 10 October 2018.
- Mashile, Lebogang. Facebook Profile. https://www.facebook.com/lebogang.mashile.583?ref = br_rs. 7 September 2017. Accessed on 10 October 2018.
- Mkandhla, Ntombi. Meet your writer: Lesego Rampolokeng. http://perdeby.co.za/sections/news/5771-meet-your-writer-lesego-rampolokeng. 13 September 2017. Accessed on 10 October 2018.
- Mnensa, Mabel Thandeka. Speaking Out: African Orality and Post-Colonial Preoccupations in Selected Examples of Contemporary Performance Poetry. Submitted in fulfilment of the requirements for the degree Magister Artium in the Faculty of Arts at the Nelson Mandela Metropolitan University, 2010.
- Nagy, Gregory, Poetry as Performance, Homer and Beyond. Cambridge: Cambridge University Press, 1996.
- Okpewho, Isidore. The Epic in Africa: Toward a Poetic of Performance, New York: Columbia University Press, 1979.
- Putuma, Koleka. Collective Amnesia. Cape Town: uHlanga, 2017.
- Rux, Carl Hancock. Pagan operetta. Portland: Fly By Night Press, 1998.
- Schutte, Gerhard. ‘Tourists and tribes in the “new” South Africa’. Ethnohistory, 50, 2003: 473–487. doi: 10.1215/00141801-50-3-473
- Sue, Derald Wing, Christina M. Capodilupo, Gina C. Torino, Jennifer M. Bucceri, Aisha M. B. Holder, Kevin L. Nadal, and Marta Esquilin. ‘Racial microaggressions in everyday life: Implications for clinical practice’. American Psychologist, 62 (4), 2007: 271-86. doi: 10.1037/0003-066X.62.4.271
- Stern, Frederick. ‘The Formal Poetry Reading’. The Drama Review, 35:3, 1991: 67-84. doi: 10.2307/1146132
- Wright, Beth-Sarah. ‘Dub Poet Lekka Mi. An exploration of performance poetry, power and identity politics in Black Britain’. Black British Culture and Society: A Text Reader. Ed. Kwesi Owusu. London-New York: Routledge, 2000. 294–313.