214
Views
4
CrossRef citations to date
0
Altmetric
Original Articles

The Ziguéhi Movement and the Afterlives of Kung fu Films in Abidjan*

Works cited

  • Akindès, Francis. 2004. The Roots of the Military-Political Crises in Côte d’Ivoire. Uppsala: Nordiska Africa Institutet.
  • Akindès, Francis. 2017. Introduction au thème. « On ne mange pas les ponts et le goudron » : Les sentiers sinueux d’une sortie de crise en Côte d’Ivoire. Politique Africaine, 148:5–26.
  • Bachy, Victor. 1983. Le cinéma en Côte-d'Ivoire. Paris: L'Harmattan.
  • Bahi, Aghi. 2013. L’ivoirité mouvementée: Jeunes, médias et politique en Côte d’Ivoire. Bamenda: Langaa.
  • Banégas, Richard. 2006. Côte d’Ivoire: Patriotism, Ethnonationalism and other African Modes of Self-writing. African Affairs, 105(421):535–552.
  • Banégas, Richard & Jean-Pierre Warnier. 2001. Nouvelles figures de la réussite et du pouvoir. Politique Africaine, 82:5–23.
  • Barber, Karin. 2018. A History of African Popular Culture. Cambridge: Cambridge University Press.
  • Bassolé, A. 1985. Gnanman-gnanman, un rythme de chez nous. Fraternité Matin Magazine July 28.
  • Burns, James. 2002. John Wayne on the Zambezi: Cinema, Empire, and the American Western in British Central Africa. The International Journal of African Historical Studies, 35(1):103–117.
  • Cha-Jua, Sundiata Keita. 2008. Black Audiences, Blaxploitation and Kung Fu Films, and Challenges to White Celluloid Masculinity. In China Forever: The Shaw Brothers and Diasporic Cinema, edited by Poshek Fu, 199–223. Urbana and Chicago: Illinois University Press.
  • Cutolo, Armando. 2010. Modernity, Autochthony and the Ivorian Nation: The End of a Century in Côte d'Ivoire. Africa, 80(4):527–552.
  • De Latour, Éliane. 1999. Les ghettomen [Les gangs de rue à Abidjan et San Pedro]. Actes de la recherche en sciences sociales, 129:68–83.
  • De Latour, Éliane. 2003. Héros du retour. Critique internationale, 19:171–189.
  • Dozon, Jean-Pierre. 2000. La Côte d'Ivoire au péril de l''ivoirité': genèse d'un coup d'État. Afrique contemporaine, 193:13–23.
  • Eperjesi, John R. 2004. Crouching Tiger, Hidden Dragon: Kung Fu Diplomacy and The Dream of Cultural China. Asian Studies Review, 28(1):25–39.
  • Ferguson, James. 1999. Expectations of Modernity: Myths and Meanings of Urban Life on the Zambian Copperbelt. Berkeley: University of California Press.
  • Gell, Alfred. 1998. Art and Agency: An Anthropological Theory. Oxford: Oxford University Press.
  • Gondola, Ch Didier. 2016. Tropical Cowboys: Westerns, Violence, and Masculinity in Kinshasa. Bloomington: Indiana University Press.
  • Hellweg, Joseph. 2011. Hunting the Ethical State: The Benkadi Movement of Côte d'Ivoire. Chicago: University of Chicago Press.
  • Hobbis, Geoffrey. 2018. Cowboys and Aliens: Body Techniques and Audience Reception in Malaita, Solomon Islands. Visual Anthropology, 31(3):292–306.
  • Jedlowski, Alessandro & Cacilda Rêgo. 2019. Latin American Telenovelas and African Screen Media: From Reception to Production. Journal of African Cultural Studies, 31(2):135–150.
  • Joseph, May. 1999. Kung fu Cinema, Frugality, and Tanzanian Asian Youth Culture: Ujamaa and Tanzanian Youth in the Seventies. In Sport Cult, edited by Randy Martin and Toby Miller, 41–63. Minneapolis: University of Minnesota Press.
  • Kaminsky, Stuart M. 1974. Kung fu Film as Ghetto Myth. Journal of Popular Film, 3(2):129–138.
  • Kato, Matahite T. 2007. From Kung Fu to Hip Hop: Globalization, Revolution, and Popular Culture. Albany: SUNY Press.
  • Kim, Christine Y., ed. 2003. Black Belt. Harlem: The Studio Museum.
  • Kohlhagen, Dominik. 2005. Frime, escroquerie et cosmopolitisme. Politique africaine, 100:92–105.
  • Konaté, Yacouba. 2002. Génération zouglou. Cahiers d’Études africaines, 168(XLII-4):777–796.
  • Konaté, Yacouba. 2003. Les enfants de la balle. De la Fesci au mouvement des patriots. Politique Africaine, 89:49–70.
  • Kouamé, J.-B. 1985. Gnanman-gnanman: De l’ordure à l’esthétique. Fraternité Matin, July 27-28.
  • Kouassi, Guy. 1976. Cinéma populaire. Fraternité Matin, July 8.
  • Kouassi, Guy. 1980. Le cinema à Abdjan. III: Salles et Séances. Fraternité Matin, January 6.
  • Kouebi. 1991. Cinémas de quartier. Films hindou, karaté et odeur de pipi. Fraternité Matin, September 16.
  • Krings, Matthias. 2015. African Appropriations: Cultural Difference, Mimesis, and Media. Bloomington: Indiana University Press.
  • Larkin, Brian. 1997. Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities. Africa, 67(3):406–440.
  • Lombard, Louisa. 2016. Camouflage: The Hunting Origins of Worlding in Africa. Journal of Contemporary African Studies, 34(1):147–164.
  • McGovern, Mike. 2010. This is Play: Popular Culture and Politics in Côte D’Ivoire. In Hard Work, Hard Times: Global Volatility and African Subjectivities, edited by Anne-Maria Makhulu, Beth A. Buggenhagen and Stephen Jackson, 69–90. Berkeley: University of California Press.
  • Mkandawire, P. Thandika & Charles Chukwuma Soludo. 1999. Our Continent, Our Future: African Perspectives on Structural Adjustment. Trenton: Africa World Press.
  • Mockey, François. 1984. La censure cinématographique. Image et banditisme: Quels films pour notre éducation?. Fraternité Matin, January 20.
  • Morris, Meaghan, Siu Leung Li & Stephen Ching-kiu Chan, eds. 2005. Hong Kong Connections: Transnational Imagination in Action Cinema. Hong Kong: Hong Kong University Press.
  • Newell, Sasha. 2009. Enregistering Modernity, Bluffing Criminality: How Nouchi Speech Reinvented (and Fractured) the Nation. Journal of Linguistic Anthropology, 19(2):157–184.
  • Newell, Sasha. 2012a. The Modernity Bluff: Crime, Consumption, and Citizenship in Côte d’Ivoire. Chicago: University of Chicago Press.
  • Newell, Sasha. 2012b. Le Goût des Autres: Ivoirian Fashion and Alterity. Etnofoor, 24(2):41–56.
  • N’Guessam, Kouakou. 1983. Les ‘maquis’ d’Abidjan. Nourritures du terroir et fraternité citadine, ou la conscience de classe au tour d’un foutou d’igname. Cahiers Orstom, 19(4):545–550.
  • Ongiri, Amy Abugo. 2002. “He Wanted to be Just Like Bruce Lee”: African Americans, Kung fu Theatre and Cultural Exchange at the Margins. Journal of Asian American Studies, 5(1):31–40.
  • Pearson, Sarina. 2013. Cowboy Contradictions: Westerns in the Postcolonial Pacific. Studies in Australasian Cinema, 7(2-3):153–164.
  • Prashad, Vijay. 2001. Everybody Was Kung Fu Fighting: Afro-Asian Connections and the Myth of Cultural Purity. Boston: Beacon Press.
  • Prashad, Vijay. 2003. Bruce Lee and the Anti-Imperialism of Kung Fu: A Polycultural Adventure. Positions: East Asia Cultures Critique, 11(1):51–90.
  • Pype, Katrien. 2007. Fighting Boys, Strong Men and Gorillas: Notes on the Imagination of Masculinities in Kinshasa. Africa, 77(2):250–271.
  • Schumann, Anne. 2013. Songs of a New Era: Popular Music and Political Expression in the Ivorian Crisis. African Affairs, 112(448):440–459.
  • Simone, AbdouMaliq. 2001. On the Worlding of African Cities. African Studies Review, 44(2):15–41.
  • Stern, Lesley. 2009. How Movies Move (between Hong Kong and Bulawayo, between Screen and Stage …). In World Cinemas: Transnational Perspectives, edited by Nataša Ďurovičová and Kathleen Newman, 185–215. London: Routledge.
  • Tailly, Alain. 2015. John Ziguéhi. Frat Mat éditions: Abidjan.
  • Tasker, Yvonne. 1993. Spectacular Bodies: Gender, Genre and the Action Cinema. London: Routledge.
  • Thomas, Louis-Vincent. 1982. La mort africaine: idéologie funéraire en Afrique noire. Paris: Payot.
  • van Staden, Cobus. 2017. Watching Hong Kong Martial Arts Film Under Apartheid. Journal of African Cultural Studies, 29(1):46–62.
  • Yao, Séverin Kouamé. 2017. Nouchis, ziguéhis et microbes d’Abidjan: Déclassement et distinction sociale par la violence de rue en Côte d’Ivoire. Politique Africaine, 148:89–107.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.