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Original Articles

Photography and Photogravure: History of Photomechanical Reproduction

Pages 101-115 | Received 08 May 1969, Published online: 23 Jul 2016

Bibliography

  • Ponton, Mungo, Notice of a cheap and simple method of preparing for Photographic Drawing, in which the use of any salt of silver is dispensed with ; The Edinburgh New Philosophical Journal (May 29, 1839), pp. 169-171.
  • Suckow, Gustav, Die Chemischen Wirkungen des Lichtes, Darmstadt, p. 35.
  • Ponton. Mungo, op. cit.
  • Becquerel, Edmund. Note Sur Une Papier Impressionable à la Lumière, Destiné a Reproduire les Dessins et les Gravures; Comptes Rendus Hebdomadaires des Scéances de l↰Académie des Sciences, 10 (1840), p. 469.
  • Hunt Robert, Chromatype. a new Photographie Process; The Athenaeum (August 26, 1843), 826, p. 774. Hunt Robert, Researches on Light, Longman, Brown, Green and Longmans, London (1844), pp. 161-163. Although R. Hunt in his earlier publication (Art of Photographs, Richard Griffin and Co., Glasgow, 1841) discusses results obtained by various experimenters, he gives no indication of having pursued any significant departure from approaches already reported by others.
  • Talbot W. H. F., British Patent 8842 (February 8. 1841).
  • Talbot w. H. F., British Patent 9753 (June 1, 1843).
  • Talbot W. H. F., British Patent 565 (October 29, 1852).
  • Tabbot W. H. F., British Patent 875 (April 21, 1858).
  • Tabbot W. H. F., British Patent 565 (October 29, 1852).
  • Ostroff, E., Etching, Engraving and Photography: History of Photomechanical Reproduction; Journal of Photographic Science, March/April (1969).
  • Talbot, W. H. F., British Patent 875 (April 21, 1858).
  • Talbot, W. H. F., manuscript collection, A. & J. Burnett Brown, Lacock Abbey, Wilts.
  • Talbot, W. H. F., The Athenaeum, Journal of Literature, Science and the Fine Arts (April 30, 1853), pp. 532-3.
  • Talbot, W. H. F., The Athenaeum (April 9, 1853), pp. 450-1.
  • Ostroff, E., Etching, Engraving and Photography: History of Photomechanical Reproduction, Journal of Photographic Science, March/April (1969).
  • Fielding, T. H., The Art of Engraving, Ackermann & Company, London (1841), pp. 40-1.
  • Comptes Rendas Hebdomadaires des Sceances de l’Academie des Sciences, Note sur la gravure heliographique sur plaque d’acier, C. F. A. Niepce de Saint-Victor (May 23, 1853).
  • Tissandier, Gaston, A History and Handbook of Photography, Sampson Low, Marston, Searle, and Rivington, London (1878), 2nd edition, appendix by W. H. F. Talbot and C. H. Talbot, p. 372.
  • Talbot, VV. H. F., manuscript collection, A. & J. Burnett Brown, Lacock Abbey, Wilts.
  • Ibid.
  • Ibid.
  • Ibid.
  • Ibid.
  • Title of photoglyphic illustrations appearing in The Photographic News, 1, No. 10 (November 12, 1858), p. 109. 1. Bridge over the Moldau, Prague 2. Congress of Deputies, Madrid 3. Court in the Alhambra, Granada 4. Palace of the Duc de Montpensier, Seville 5. The New Louvre, Paris 6. The Gate of the Cathedral of San Gregorio, Valladolid 7. The Institute of France. Each copy of this issue contained only one print, the seven different subjects being distributed throughout the run.
  • Dugan, J. M., Investigations Relating to Gravure Etchings, The Penrose Annual, 48 (1954), p. 148.
  • De Goeij, H. J., The Printing After-Effect in Exposed Dichromated Layers, N. V. Drukkerij de Spaarnstad, Holland, (1946) p. 48.
  • Jorgensen, G. W. and Bruno, H. M., The Sensitivity of Bichromated Colloids; Lithographic Technical Foundation (1954)
  • Taniura, M., Kurata, M. and Fujata, K.; Melting Point of Gelatin Gel Containing Chrome Alum as a Hardening Reagent, Photographic Scientists and Engineers, 3, November/December (1959), pp. 277-82.
  • Clerc, L. P., Photography: Theory and Practice, H. Greenwood and Company, Ltd., London, (1930), p. 393.
  • Dugan, J. M., Investigations Relating to Gravure Etchings, The Penrose Annual, 48, (1954), p. 150.
  • Lehmann. E., Zeitschrift fur Reproduktionstichnik (1907), 9 p. 177.
  • Lehmann, Zeitschrift fur Reproduktionstichnik (1907), 9, p.54. Eder, J. M., Ausfuhrliche Handbuch der Photographie (1922), pp. 46-48.
  • Ibid.
  • Cartwright, H. M. and MacKay, R., Photogravure, A Survey of European and American Methods, MacKay Publishing Co., Lyndon, Kentucky (1956), pp. 178-9.
  • Cartwright, H. M., A Study of Bichromated Gelatin with Reference to Pnotogravure, The Photographic Journal, 63, (1923), p. 274.
  • Cartwright, H. M. and MacKay, R., Photogravure, A Survey of European and American Methods, MacKay Publishing Co., Lyndon, Kentucky (1956), p. 177.
  • a. Cartwright, H. M. Photogravure, American Photographic Publishing Company, Boston (1939).
  • Cartwright, H. M. and MacKay, R.. Photogravure, A Survey of European and American Methods, MacKay Publishing Co., Lyndon, Kentucky (1956).
  • Cartwright, H. M., Technical Notes on the Preparation of Pigmented Gelatin Resists and the Etching of Rotogravue Cylinders, The Autotype Company Ltd., London, (not dated).
  • Gamble, Charles, Modern Illustration Processes, Pitman and Sons, London (1933).
  • Flader, L. and Mertle, J., Modern Photoengraving, Modern Photoengraving Publishers, Chicago (1948).
  • Guide to Gravure Printing, The Daily Telegraph Magazine, London (1968).
  • Strauss, Victor. The Printing Industry, Printing Industries of America, Washington, D.C., (1967).
  • Mertle, J. S., Evolution of Rotogravue, 19, Gravure, (May 1957) Bell, Thomas, British Patent 1443 (July 9, 1784), Incorporated into textile printing press and used (1785) in Preston (Lancashire), England by Liversay, Hargreaves and Co.

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