References
- Barnes, A.C. (1928). The art in painting. New York: Harcourt.
- Bell, C. (1913). Art. New York: Frederick A. Stokes.
- Berger, J. (1972). Ways of seeing, Harmondsworth, Middlesex, England: Penguin Books.
- Clark, K. (1981). Moments of vision. New York: Harper & Row.
- Dewey, J. (1934). Art as experience. New York: Minton Balch.
- Feldman, E.B. (1989). Ideological aesthetics. Liberal Education, 75(2), 8–13.
- Fry, R. (1920). Vision and design. New York: Brentano's.
- Fry, R. (1935). Pure and impure art. In M. Rader (Ed.), A modern book of esthetics (p. 264–271). New York: Henry Holt.
- Gotshalk, D.W. (1947). Art and the social order. Chicago: University of Chicago Press.
- Greenberg, C. (1966). Modernist painting. In G. Battcock (Ed.), The new art (pp. 100–110). New York: E.P. Dutton.
- Kleinbauer, W.E. (1971). Modern perspectives in Western art history. New York: Holt, Rinehart and Winston.
- Lipman, M. (1967). What happens in art. New York: Appleton-Century-Crofts.
- Nochlin, L. (1974). Hadley lectures in art criticism, Bennington, VT: Bennington College Quadrille.
- Ortega y Gasset, J. (1956). The dehumanization of the arts. New York: Anchor.
- Osborne, H., & Saw, R. (1968). Aesthetics as a branch of philosophy. In H. Osborne (Ed.) Aesthetics in the modern world (pp. 15–32). New York: Weybright and Talley.
- Preziosi, D. (1989). Rethinking art history. New Haven: Yale.
- Read, H. (1965). Origin of forms in art. London: Thames & Hudson.
- Stella, F. (1967, November-December). The dimensions of the miniarts. Art in America, pp. 84–91.