References
- Adorno, T. (1991). The culture industry. London: Routledge.
- Barthes, R. (1977). Mythologies. New York: Hill and Wang.
- Barthes, R. (1991). Camera lucida: Reflections on photography. New York: Hill and Wang.
- Baudrillard, J. (1994). Simulacra and simulation. Ann Arbor: The University of Michigan.
- Becker, C. (2002). Surpassing the spectacle: Global transformations and the changing politics of art. Lanham: Rowman & Littlefield.
- Bernhard, B. (1998, June 26-July 2). Calamity of excellence: Lawrence Weschler laments the loss of journalism that asks for nothing but our attention. LA Weekly. Retrieved December 18, 2003 from <http://www.laweekly.com/ink/printme.php?eid=1565>.
- Boorstin, D. J. (1987). The image: A guide to pseudo-events in America. New York: Atheneum.
- Boulding, K. E. (1961). The image: Knowledge in life and society. Ann Arbor: The University of Michigan.
- Bourdieu, P. (1990). The logic of practice. Stanford: Stanford University.
- Brown, N. C. M. (2003). Are we entering a post-critical age in visual arts education? Studies in Art Education, 44(3), 285–289.
- Chapman, L. H. (2003). Studies of the mass arts. Studies in Art Education, 44(3), 230–245.
- Coleridge, S.T. (1985). Biographia literaria. In J. Engell & W. J. Bate (Eds.), The collected works of Samuel Taylor Coleridge, Volume 7. Princeton: Princeton University. (First published 1817)
- Debord, G. (1967/1994). The society of the spectacle. New York: Zone.
- Deleuze, G., & Guattari, F. (1987). A thousand plateaus: Capitalism and schizophrenia. Minneapolis: University of Minnesota Press.
- Ellsworth, E. (1997). Teaching positions: Difference, pedagogy, and the power of address. New York: Teachers College, Columbia University.
- Feasey, R. D. (n.d.). Last action hero. Retrieved January 24, 2004 from <http://www.nottingham.ac.uk/film/journal/filmrev/last-action-hero.htm>.
- Felman, S. (1987). Jacques Lacan and the adventure of insight: Psychoanalysis in contemporary culture. Cambridge: Harvard University.
- Foucault, M. (1972). The archaeology of knowledge: And the discourse on language. New York: Pantheon.
- Freedman, K. (2003). Teaching visual culture: Curriculum, aesthetics, and the social life of art. New York: Teachers College, Columbia University.
- Herman, E. S., & Chomsky, N. (1988). Manufacturing consent: The political economy of the mass media. New York: Pantheon.
- Hooks, B. (1996). Reel to real: Race, sex, and class at the movies. New York: Routledge.
- Hucheon, L. (1985). The theory of parody: The teachings of twentieth-century art forms. New York: Methuen.
- Jagodzinski, J. (2003). Unromancing the stone of “resistance”: In defence [sic] of a continued radical politics in visual cultural studies. The Journal of Social Theory in Art Education, 23, 104–139.
- Jay, M. (1988). Scopic regimes of modernity. In H. Foster (Ed.), Vision and visuality (pp. 3–23). Seattle: Bay Press.
- Kindler, A. M. (2003). Visual culture, visual brain and (art) education. Studies in Art Education, 44(3), 290–295.
- Kracauer, S. (1995). The mass ornament: Weimar essays. Cambridge: Harvard University. (First published 1963)
- Lacan, J. (1977). Écrits: A selection (A. Sheridan, Trans.). New York: W.W. Norton.
- Lasch, C. (1991). The culture of narcissism: American life in an age of diminishing expectations. New York: W.W. Norton.
- Lorde, A. (1984). The transformation of silence into language and action. In A. Lorde, Sister outsider: Essays and speeches (pp. 40–44). Trumansburg, NY: Crossing Press.
- Marcuse, H. (1972). One dimensional man. London: Abacus.
- McLuhan, M. (1964). Understanding media: The extensions of man. New York: Signet.
- Menand, L. (2004, January 5). Masters of the matrix: Kennedy, Nixon, and the culture of the image. The New Yorker, 82–86.
- Mitchell, T. (1998). Orientalism and the exhibitionary order. In N. Mirzoeff (Ed.), The visual culture reader (pp. 293–303). London: Routledge.
- Phillips, P.C. (2003). Creating democracy: A dialogue with Krzysztof Wodiczko. Art Journal 63(4), 32–49.
- Rorty, R. (1979). Philosophy and the mirror of nature. Princeton: Princeton University Press.
- Sontag, S. (1977). On photography. New York: Farrar, Straus & Giroux.
- Sullivan, A. (2003, October 20). Pumping irony. Time, 162(16), 88.
- Takemoto, T. (2003). The melancholia of AIDS: Interview with Douglas Crimp. Art Journal, 62(4), 80–91.
- Tavin, K. (2003). Wrestling with angels, searching for ghosts: Toward a critical pedagogy of visual culture. Studies in Art Education, 44(3), 197–213.
- Wilson, B. (2003). Of diagrams and rhizomes: Visual culture, contemporary art, and the impossibility of mapping the content of art education. Studies in Art Education, 44(3), 214–229. Wodiczko, K. (n.d.). Krzysztof Wodiczko. Retrieved December 26, 2003 from <http://www.mit.edu:8001/afs/athena.mit.edu/course/4/4.395/www/krystof/krystof.hml>.