Publication Cover
Studies in Art Education
A Journal of Issues and Research
Volume 54, 2013 - Issue 4
228
Views
6
CrossRef citations to date
0
Altmetric
Articles

Engaging Youth in Underserved Communities through Digital-Mediated Arts Learning Experiences for Community Inquiry

&
Pages 335-348 | Published online: 25 Nov 2015

References

  • Addams, J. (2002). The subjective necessity for social settlements. In J. Elshtain (Ed.), The Jane Addams reader (pp. 14–28). New York, NY: Basic Books. (Original published 1893)
  • Banks, M. (2001). Visual methods in social research. London, England: Sage.
  • Bastos, F. (2003). Making the familiar strange: A community-based art education framework. In Y. Gaudelius & P. Speirs (Eds.), Contemporary issues in art education (pp. 70–83). Upper Saddle River, NJ: Prentice Hall.
  • Bastos, F. (2012). Artful cityscapes: Transforming urban education with art. In K. Hutzel, F. Bastos & K. Cosier (Eds.), Transforming city schools through art: Approaches to meaningful K-12 learning (pp. 13–24). New York, NY: Teachers College Press.
  • Bruce, B. (2007). Communities of designers: Transforming a situation into a unified whole. In P. Mishra, M. Koehler & Y. Zhao (Eds.), Faculty development by design: Integrating technology in higher education (pp. 205–220). Greenwich, CT: Information Age. Retrieved from http://hdl.handle.net/2142/24138
  • Bruce, B. (2009). Reflections on youth, media, and democracy. In J. Pettersen (Ed.), Youth media democracy: Perspectives on new media literacy (pp. 27–35). Dublin, Ireland: Centre for Social & Educational Research, Dublin Institute of Technology.
  • Bruce, B., & Bishop, A. (2008). New literacies and community inquiry. In J. Coiro, M. Knobel, C. Lankshear & D. Leu (Eds.), The handbook of research in new literacies (pp. 699–742). New York, NY: Routledge.
  • Bruce, B., & Bloch, N. (in press). Pragmatism and community inquiry: A case study of community-based learning. Education and Culture.
  • Bruce, B., & Lin, C. (2009). Voices of youth: Podcasting as a means for inquiry-based community engagement. E-learning and Digital Media, 6(2), 230–241.
  • Buckingham, D. (2011). Youth media production in the digital age: Some reflections—and a few provocations. In J. Fisherkeller (Ed.), International perspectives on youth media: Cultures of production and education (pp. 375–379). New York, NY: Peter Lang.
  • Bunyan, P. (2012, April 27). Partnership, the big society and community organizing: Between romanticizing, problematizing and politicizing community. Community Development Journal, 1–15.
  • Campana, A. (2011). Agents of possibility: Examining the intersections of art, education, and activism in communities. Studies in Art Education, 52(4), 278–291.
  • Campbell, J. (1998). Dewey’s conception of community. In L. Hickman (Ed.), Reading Dewey: Interpretations for a postmodern generation (pp. 23–42). Indianapolis: Indiana University Press.
  • Casey, L., & Bruce, B. (2011). The practice profile of inquiry: Connecting digital literacy and pedagogy. E-Learning and Digital Media, 8(1), 76–85.
  • Clark, G. (1994). Rescuing the discourse of community. College Composition and Communication, 45(1), 61–74.
  • Cohen, A. (1985). The symbolic construction of community. London, England: Tavistock.
  • Congdon, K., Blandy, D., & Bolin, P. (Eds.). (2001). Histories of community-based art education. Reston, VA: National Art Education Association.
  • Cooke, E. (2006). Peirce’s pragmatic theory of inquiry: Fallibilism and indeterminacy. New York, NY: Continuum.
  • Delacruz, E. (1997). Instructional theory, research, and practice in art education: Design for inquiry. Reston, VA: National Art Education Association.
  • Desai, D. (2002). The ethnographic move in contemporary art: What does it mean for art education? Studies in Art Education, 43(4), 307–323.
  • Dewey, J. (1933). How we think. A restatement of the relation of reflective thinking to the educative process (Revised Ed). Boston, MA: Heath. (Original published 1910)
  • Dewey, J. (1938a). Experience and education. New York, NY: Macmillan.
  • Dewey, J. (1938b). Logic: The theory of inquiry. New York, NY: Henry Holt.
  • Dewey, J. (1980). Art as experience. (Reprint). New York, NY: Penguin Group. (Original published 1934)
  • Dewey, J. (1985). The public and its problems. (Reprint). Athens, OH: Swallow. (Original published 1927)
  • Dewey, J. (2007). Democracy and education. Middlesex, England: Echo Library. (Original published 1916)
  • Dezuanni, M. (2011). Youth media production and technology skills acquisition: Opportunities for agency. In J. Fisherkeller (Ed.), International perspectives on youth media: Cultures of production and education (pp. 121–137). New York, NY: Peter Lang.
  • Doherty, R. (2007). Education, neoliberalism and the consumer citizen: After the golden age of egalitarian reform. Critical Studies in Education, 48(2), 269–288.
  • Freire, P. (1970). Pedagogy of the oppressed. London, England: Penguin.
  • Gablik, S. (1995). Connective aesthetics: Art after individualism. In S. Lacy (Ed.), Mapping the terrain: New genre public art (pp. 74–87). Seattle, WA: Bay Press.
  • Giroux, H. (2009). Neoliberalism, youth, and the leasing of higher education. In D. Hill & R. Kumanl (Eds.), Global neoliberalism and education and its consequences (pp. 30–53). New York, NY: Routledge.
  • Giroux, H. (2011). Neoliberal politics as failed sociality: Youth and the crisis of higher education. Logos: A Journal of Modern Society & Culture, 10(2). Retrieved from http://logosjournal.com/2011/neoliberal-politics-as-failed-sociality-youth-and-the-crisis-of-higher-education
  • Graham, P. (1967). Progressive education from Arcady to academe. New York, NY: Teachers College.
  • Gutiérrez, K. D. (2008). Developing a socio-critical literacy in the Third Space. Reading Research Quarterly, 43, 148–164.
  • Hamilton, K. (2006). Absence in common: An operator for the inoperative community. Intelligent Agent, 6(2). Retrieved from www.intelligentagent.com/archive/ia6_2_communitydomain_hamilton_absenceincommon.pdf
  • Hannigan, S. (2012). Turning community stories into community art. International Journal of Education through Art, 8(2), 135–150.
  • Harvey, D. (2005). A brief history of neoliberalism. Oxford, England: Oxford University Press.
  • Harvey, D. (2010). The enigma of capital and the crises of capitalism. London, England: Profile Books.
  • Hein, G. (2012). Progressive museum practice: John Dewey and democracy. Walnut Creek, CA: Left Coast Press.
  • Hicks, L. (1994). Social reconstruction and community. Studies in Art Education, 35(3), 149–156.
  • Hill, D., & Kumanl, R. (2009). Global neoliberalism and education and its consequences. New York, NY: Routledge.
  • Irwin, R., & Chalmers, F. G. (2007). Experiencing the visual and visualizing experience. In L. Bresler (Ed.), International handbook of research in arts education (pp. 179–194). Dordrecht, The Netherlands: Springer.
  • Jean-Charles, A. (2010). Youth expression with video surveillance technology. Unpublished doctoral dissertation. University of Illinois at Urbana-Champaign.
  • Kester, G. (2005). Conversation pieces: The role of dialogue in socially-engaged art. In Z. Kucor & S. Leung (Eds.), Theory in contemporary art since 1985 (pp. 76–88). Oxford, England: Blackwell.
  • Kwon, M. (2004). One place after another: Site specific art and locational identity. Cambridge, MA: MIT Press.
  • Lacy, S. (1995). Mapping the terrain: New genre public art. Seattle, WA: Bay.
  • Lacy, S. (2010). Leaving art: Writings on performance, politics, and publics, 1974-2007. Durham, NC: Duke University Press.
  • Levy, L., & Weber, S. (2011). Teenmom.ca: A community arts based new media empowerment project for teenage mothers. Studies in Art Education, 52(4), 292–309.
  • Meade, R., & Shaw, M. (2007). Editorial-Community development and the arts: Reviving the democratic imagination. Community Development Journal, 42(4), 413–421.
  • Nam, C. (2012). Exploring local civic citizenship surrounding the “¡Huntington Park no se vende!” campaign on Paseo Boricua in Chicago. Unpublished doctoral dissertation. University of Illinois at Urbana-Champaign.
  • Nancy, J. (1991). Inoperative community. Minneapolis: University of Minnesota Press.
  • Noddings, N. (1989). Women and evil. Berkeley: University of California Press.
  • Pearse, H. (1997). Doing otherwise: Art education praxis in a postparadigmatic world. In J. Hutchens & M. Suggs (Eds.), Art education: Content and practice in a postmodern era (pp. 31–39). Reston, VA: National Art Education Association.
  • Peppler, K. (2011). New opportunities for interest-driven arts learning in a digital age. New York, NY: The Wallace Foundation.
  • Ralston, S. (2011). John Dewey’s great debates—Reconstructed. Charlotte, NC: Information Age.
  • Rhoades, M. (2012). LGBTQ youth + video artivism: Arts-based critical civic praxis. Studies in Art Education, 53(4), 317–329.
  • Richtel, M. (2012, May 29). Wasting time is new divide in digital era. The New York Times. Retrieved from www.nytimes.com/2012/05/30/us/new-digital-divide-seen-in-wasting-time-online.html
  • Ritzo, C., Nam, C., & Bruce, B. (2009). Building a strong web: Connecting information spaces across communities [Special issue on school media and information science]. Library Trends, 58(1), 82–94.
  • Russel, R. (2004). A beginner’s guide to public art. Art Education, 57(4), 19–24.
  • Sefton-Green, J. (2011). Creative digital cultures: Informal learning beyond the school. In J. Sefton-Green, P. Thomson, K. Jones & L. Bresler (Eds.), The Routledge international handbook of creative learning (pp. 244–252). New York, NY: Routledge.
  • Sefton-Green, J., Thomson, P., Jones, K., & Bresler, L. (2011). Introduction. In J. Sefton-Green, P. Thomson, K. Jones & L. Bresler (Eds.), The Routledge international handbook of creative learning (pp. 1–8). New York, NY: Routledge.
  • Shields, P. (1998). Pragmatism as a philosophy of science: A tool for public administration. Faculty Publications-Political Science. Paper 33.
  • Shusterman, R. (2000). Pragmatist aesthetics: Living beauty, rethinking art (2nd ed.). Oxford, England: Rowman & Littlefield.
  • Shusterman, R. (2008). Body consciousness: A philosophy of mindfulness and somaesthetics. Cambridge, England: Cambridge University Press.
  • Stephens, P. (2006). A real community bridge: Informing community-based learning through a model of participatory public art. Art Education, 59(2), 40–46.
  • Thomas, V., & Britton, K. (2012). The art of participatory video: Relational aesthetics in artistic collaborations. In E. Milne, C. Mitchell & N. De Lance (Eds.), Handbook of participatory video (pp. 208–222). London, England: AltaMira Press.
  • Thompson, N. (2012). Living as form: Socially engaged art from 1991-2011. Cambridge, MA: MIT Press.
  • Trend, D. (1997). Cultural democracy: Politics, media, new technology. Albany: State University of New York Press.
  • Ulbricht, J. (2005). What is community-based art education? Art Education, 58(2), 6–12.
  • Weisman, E., & Hanes, M. J. (2003). Thematic curriculum and social reconstruction. In Y. Gaudelius & P. Speirs (Eds.), Contemporary issues in art education (pp. 170–179). Upper Saddle River, NJ: Prentice Hall.
  • Williamson, T., Imbroscio, D., & Alperovitz, G. (2002). Making a place for community: Local democracy in a global era. New York, NY: Routledge.
  • Young, I. (1990). The ideal of community and the politics of difference. Reprinted in L. Nicholson (Ed.), Feminism/Postmoderism (pp. 300–326). New York, NY: Routledge.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.