REFERENCES
- Akcan, E. (2013). Off the frame: The panoramic city albums of Istanbul. In A. Behdad & L. Gartlan (Eds.), Photography’s orientalism: New essays on colonial representation (pp. 93–114). Los Angeles, CA: Getty Publications.
- Althusser, L. (2014). On the reproduction of capitalism: Ideology and ideological state apparatuses. London, England: Verso.
- The American Assembly. (2016). The open syllabus project. New York, NY: Columbia University. Retrieved from https://opensyllabusproject.org
- Arago, D. F. (1980). Report of the commission of the chamber of deputies. In A. Trachtenberg (ed.), Classic essays on photography (pp. 15–25). New Haven, CT: Leete’s Island.
- Barthes, R. (1981). Camera lucida. New York, NY: Hill and Wang.
- Behdad, A. (2016). Camera orientalis: Reflections on photography in the Middle East. Chicago, IL: The University of Chicago Press.
- Behdad, A., & Gartlan, L. (Eds.). (2013). Photography’s orientalism: New essays on colonial representation. Los Angeles, CA: Getty Publications.
- Belting, H., Buddensieg, A., & Weibel, P. (Eds). (2013). The global contemporary and the rise of new art worlds. Cambridge, MA: The MIT Press.
- Benjamin, W. (2007). The work of art in the age of mechanical reproduction. In H. Arendt (Ed.), Illuminations (Harry Zohn, Trans.) (pp. 217–251). New York, NY: Schocken Books.
- Berger, J. (2008). Ways of Seeing. London, England: Penguin Classics.
- Bertrand, A. (1997). Beaumont Newhall’s “photography 1839–1937” making history. History of Photography, 21(2), 137–146. doi:10.1080/03087298.1997.10443731
- Bourdieu, P. (1990). Photography: A middle-brow art. Cambridge, MA: Polity Press.
- Brunet, F. (2011). Nationalities and universalism in the early historiography of photography (1843–1857). History of Photography, 35(2), 98–110. doi:10.1080/03087298.2010.516587
- Brzyski, A. (2007). Partisan canons. Durham, NC: Duke University Press.
- Burgin, V. (Ed.). (1982). Thinking photography. London, England: Macmillan Press.
- Dadi, I., & Hassan, S. (Eds.). (2001). Unpacking Europe: Towards a critical reading. Rotterdam, Netherlands: Museum Boijmans Van Beuningen.
- Dave-Mukherji, P. (2014). Art history and its discontents in global times. In J. Casid & A. D’Souza (Eds.), Art history in the wake of the global turn (pp. 88–106). New Haven, CT: Yale University Press.
- D’Souza, A., & Casid, J. (Eds.). (2014). Art history in the wake of the global turn. New Haven, CT: Yale University Press.
- Elkins, J. (2010). Is art history global? New York, NY: Routledge.
- Feldman, H. (2013). Flash forward: Pictures at war. In A. Behdad & L. Gartlan (Eds.), Photography’s orientalism: New essays on colonial representation (pp. 153–170). Los Angeles, CA: Getty Publications.
- Gasser, M. (1992). Histories of photography 1839–1939. History of Photography, 16(1), 50–60. doi:10.1080/03087298.1992.10442521
- Grigsby, D. G. (2013). Two or three dimensions? Scale, photography, and Egypt's pyramids. In A. Behdad & L. Gartlan (Eds.), Photography’s Orientalism: New essays on colonial representation (pp. 115–128). Los Angeles, CA: Getty Publications.
- Gutman, J. M. (1996). Through Indian eyes. In L. Heron & V. Williams (Eds.), Illuminations: Women writing on photography from the 1850s to the present (pp. 427–435). Durham, NC: Duke University Press.
- Hodgson, M. G. S. (1974). The venture of Islam: Conscience and history in a world civilization. Chicago, IL: University of Chicago Press.
- Iskin, R. E. (2017). Re-envisioning the contemporary art canon: Perspectives in a global world. London, England: Routledge.
- Korda, A., & Dymond, A. (2017, October). Art history pedagogy caucus: Surveying the survey [Abstract]. Panel at the Conference of the Universities Art Association of Canada, Banff, Canada.
- Kraehe, A. M. (2017). Arts equity: A praxis-oriented tale. Studies in Art Education: A Journal of Issues and Research, 58(4), 267–278. doi:10.1080/00393541.2017.1368293
- Linrothe, R. (2013). Travel albums and revisioning narratives: A case study in the Getty's Fleury “Cachemire” Album of 1908. In A. Behdad & L. Gartlan (Eds.), Photography’s Orientalism: New essays on colonial representation (pp. 171–185). Los Angeles, CA: Getty Publications.
- Low, M. (2012). Japan on display: Photography and the emperor. London, England: Routledge.
- Marien, M. W. (2013). A cultural history of photography (4th ed.). London, England: Laurence King.
- Mercer, K. (2005). Cosmopolitan modernisms. Cambridge, MA: MIT Press.
- Mirzoeff, N. (2014). The history of the anonymous and horizontal visuality. In J. Casid & A. D’Souza (Eds.), Art history in the wake of the global turn (pp. 197–212). New Haven, CT: Yale University Press.
- Nelson, S. (2014). Conversation without borders. In J. Casid & A. D’Souza (Eds.), Art history in the wake of the global turn (pp. 79–87). New Haven, CT: Yale University Press.
- Newhall, B. (1982). The history of photography: 1839 to the present (5th ed.). New York, NY: The Museum of Modern Art.
- O’Brien, E., Nicodemus, E., Chiu, M., Genocchio, B., Coffey, M., & Tejada, R. (Eds.). (2012). Modern art in Africa, Asia, and Latin America: An introduction to global modernisms. Sussex, England: Wiley-Blackwell Publishing.
- Perez, N. N. (1988). Focus east: Early photography in the near east (1839-1885). New York, NY: Harry N. Abrams.
- Pinney, C., & Peterson, N. (Eds.). (2003). Photography’s other histories. Durham, NC: Duke University Press.
- Poole, D. (1997). Vision, race, and modernity: A visual economy of the Andean image world. Princeton, NJ: Princeton University Press.
- Poole, D. (2013). Photography in the history of race and nation. In Oxford bibliographies: Latin American studies. Oxford, England: Oxford University Press.
- Rosenblum, N. (2007). A world history of photography (4th ed.). New York, NY: Abbeville Press Publishers.
- Rosler, M. (1993). In, around, and afterthoughts (on documentary photography). In R. Bolton (Ed.), The contest of meaning: Critical histories of photography (pp. 303–325). Cambridge, MA: MIT Press.
- Roxburgh, D. J., McWilliams, M., & Emani, F. (2017). Technologies of the image: Art in 19th-century Iran. Cambridge, MA: Harvard Art Museums.
- Said, E. W. (1978). Orientalism. London, England: Routledge & Kegan Paul Press.
- Seck Langill, C. (2017, October). Art history restart: Curricular approaches. Presented at the Conference of the Universities Art Association of Canada, Banff, Alberta.
- Sekula, A. (1986). The body and the archive. October, 39, 3–64. doi:10.2307/778312
- Sheehi, S. (2016). The Arab imago: A social history of portrait photography, 1860–1910. Princeton, NJ: Princeton University Press.
- Smith, T. (2011). Contemporary art: World currents. Upper Saddle River, NJ: Prentice Hall Publishing.
- Solomon-Godeau, A. (1991). Photography at the dock: Essays on photographic history, institutions, and practices. Minneapolis: University of Minnesota Press.
- Sontag, S. (1977). On photography. New York, NY: Farrar, Straus and Giroux.
- Statistics Canada. (2017). Census profile. 2016 Census. Statistics Canada Catalogue no. 98-316-X2016001.
- Tagg, J. (1988). The burden of representation: Essays on photographies and histories. Amherst: University of Massachusetts Press.
- Tagg, J. (2010). The disciplinary frame: Photographic truths and the capture of meaning. Minneapolis: University of Minnesota Press.
- Tiampo, M. (2011). Gutai: Decentering modernism. Chicago, IL: The University of Chicago Press.
- Tuck, E., & Yang, K. W. (2012). Decolonization is not a metaphor. Decolonization: Indigeneity, Education & Society, 1(1), 1–40.