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Articles

East Anglia’s Medieval Rood Screens: Conserving Sensitive Painted Artworks in Uncontrolled Church Environments

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Pages P54-P59 | Received 14 Jun 2019, Accepted 27 Mar 2020, Published online: 22 Apr 2020

References

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  • Bond, F. 1908. Screens and Galleries in English Churches. Oxford: Oxford University Press.
  • Cotton, S. 1987. “Mediæval Roodscreens in Norfolk-their Construction and Painting Dates.” Norfolk Archaeology 40 (1): 44–54.
  • Curteis, T., and L. Wrapson. 2013. Conservation Survey of the Medieval Painted Screens of East Anglia. Unpublished report.
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  • Taylor Review. 2017. Taylor Review: Sustainability of English Churches and Cathedrals. London: Department for Culture, Media and Sport. Accessed February 23, 2020. https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/669667/Taylor_Review_Final.pdf.
  • TenWolde, A., and C. Pilon. 2007. “The Effect of Indoor Humidity on Water Vapour Released in Homes.” In 30 Years of Research: Proceedings, Thermal Performance of the Exterior Envelopes of Whole Buildings X: U.S. Department of Energy, Oak Ridge National Laboratory, 1–9. Atlanta: ASHRAE.
  • Vallance, A. 1936. English Church Screens. London: Batsford.
  • Wrapson, L. 2014. “Patterns of Production: A Technical Art Historical Study of East Anglia’s Late Medieval Screens.” PhD Thesis. University of Cambridge.
  • Wrapson, L. 2016. “Prints and Pastiglia: the Surviving Paintings of a Late-Medieval East Anglian Workshop.” In Painting Techniques: History, Materials and Studio Practice, ed. A. Wallert, 62–69. Rijksmuseum: Amsterdam.

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