Indigenous Stewardship of Decolonised Rock Art Conservation Processes in Australia

References

• Agnew, N., J. Deacon, N. Hall, T. Little, S. Sullivan, and P. S. C. Taçon. 2015. Rock Art: A Cultural Treasure at Risk. Los Angeles: Getty Conservation Institute.
   Google Scholar
• Australia ICOMOS. 2013a. The Burra Charter: The Australia ICOMOS Charter for Places of Cultural Significance, 2013. Burwood: Australia ICOMOS.
   Google Scholar
• Australia ICOMOS. 2013b. The Burra Charter and Indigenous Cultural Heritage Management. Practice Note, Version 1. Burwood: Australia ICOMOS.
   Google Scholar
• Australian Heritage Commission. 2011. One Place, Many Stories: West Kimberley (National Heritage Listing). Canberra: Australian Heritage Commission and the Kimberley Land Council.
   Google Scholar
• Blundell, V., and D. Woolagoodja. 2005. Keeping the Wanjinas Fresh: Sam Woolagoodja and the Enduring Power of Lalai. Fremantle: Fremantle Arts Centre Press.
   Google Scholar
• Blundell, V., and D. Woolagoodja. 2012. “Rock art, Aboriginal Culture and Identity: The Wanjina Paintings of Northwest Australia.” In A Companion to Rock Art, edited by J. McDonald, and P. Veth, 472–487. West Sussex: Blackwell Publishing.
   Google Scholar
• Blundell, V., D. Woolagoodja, J. Oobagooma, and L. Umbagai. 2017. “Visiting Gonjorong’s Cave.” In The Oxford Handbook of the Archaeology and Anthropology of Rock Art, edited by B. David, and I. J. McNiven, 1–29. Oxford: Oxford University Press.
   Google Scholar
• Capell, A. 1939. “Mythology in Northern Kimberley, North-West Australia.” Oceania; A Journal Devoted To the Study of the Native Peoples of Australia, New Guinea, and the Islands of the Pacific 9 (4): 382–404.
   Google Scholar
• Chaloupka, G. 1978. “Rock art Deterioration and Conservation in the ‘Top End’ of the Northern Territory.” In Conservation of Rock Art, edited by C. Pearson, 75–88. Sydney: ICCM.
   Google Scholar
• CORLAB. 1986. Conservation of Post-Estuarine Period Rock Art in Kakadu National Park: Report on Phase 1 Study: Pigment Identification. Wilson: Australian Nature Conservation Agency.
   Google Scholar
• CORLAB. 1987. Conservation of Post-Estuarine Period Rock Art in Kakadu National Park: Final Report on Phase 2 Study: Conservation Treatment Trials. Wilson: Australian Nature Conservation Agency.
   Google Scholar
• CORLAB. 1988. Conservation of Post-Estuarine Period Rock Art in Kakadu National Park: Final Report on Phase 3 Study: Conservation Treatment Trials. Wilson: Australian Nature Conservation Agency.
   Google Scholar
• CORLAB. 1989. Conservation of Post-Estuarine Rock art in Kakadu National Park: Nourlangie Gallery Rock art Restoration Project. Canberra: The International Centre for the Preservation and Restoration of Cultural Property and CORLAB.
   Google Scholar
• Crawford, I. M. 1972. “Function and Change in Aboriginal Rock Art, Western Australia.” World Archaeology 3 (3): 301–312. doi: 10.1080/00438243.1972.9979512
   Web of Science ®Google Scholar
• Dann, R., and K. Dann. 2017. Barker River Cultural Heritage Management Plan. Derby: Wunggurr Rangers.
   Google Scholar
• Gillespie, D. 1982. The Rock art and Archaeological Sites of Ubirr, Kakadu National Park NT: The Beginning of a Management Strategy. Kakadu: Australian National Parks and Wildlife Service.
   Google Scholar
• Gillespie, D., ed. 1983a. The Rock Art Sites of Kakadu National Park - Some Preliminary Research Findings for Their Conservation and Management. Canberra: Australian National Parks and Wildlife Service.
   Google Scholar
• Gillespie, D. 1983b. “The Beginnings of a Conservation Strategy.” In The Rock Art Sites of Kakadu National Park - Some Preliminary Research Findings for Their Conservation and Management, edited by D. Gillespie, 34–36. Canberra: Australian National Parks and Wildlife Service.
   Google Scholar
• Gillespie, D. 1983c. “The Practice of Rock Art Conservation and Site Management in Kakadu National Park.” In The Rock Art Sites of Kakadu National Park - Some Preliminary Research Findings for Their Conservation and Management, edited by D. Gillespie, 191–198. Canberra: Australian National Parks and Wildlife Service.
   Google Scholar
• Hughes, P. J., and A. L. Watchman. 1983. “The Deterioration, Conservation and Management of Rock art Sites in Kakadu National Park.” In The Rock Art Sites of Kakadu National Park - Some Preliminary Research Findings for Their Conservation and Management, edited by D. Gillespie, 37–86. Canberra: Australian National Parks and Wildlife Service.
   Google Scholar
• Huntley, J., and M. Marshall. 2018. Scanning Electron Microscopy Analysis of Dark Staining at Ubirr Rock Art Site: Kakadu National Park. Gold Coast: Griffith University.
   Google Scholar
• Marshall, M. 2019. Rock Art Conservation and Management: twenty-first Century Perspectives in Northern Australia. Unpublished Doctor of Philosophy thesis submitted and passed 2019, School of Archaeology and Anthropology, Australian National University, Canberra.
   Google Scholar
• Marshall, M., R. Dann, L. Nulgit, A. Nandoo, K. Dann, D. Carlton, S. Nulgit, and S. Bayley. 2010. “Working with the Wunggurr Rangers.” Presented at Gwion Gwion Workshop, UWA, 14–15 October 2010.
   Google Scholar
• Marshall, M., J. Lee, K. May, and G. O'Loughlin. 2018. “Trials and Tribulations of Artificial Silicon Driplines in Kakadu National Park.” Presented at 2018 European association of Archaeologists Conference, Barcelona.
   Google Scholar
• Marshall, M., G. O'Loughlin, K. May, and J. Wellings. 2019. Kakadu Rock Art Monitoring and Maintenance Program: Year 6 Evaluation Report. Jabiru: Kakadu National Park.
   Google Scholar
• Marshall, M., and P. S. C. Taçon. 2014. “Past and Present, Traditional and Scientific: The Conservation and Management of Rock art Sites in Australia.” In Open-air Rock-art Conservation and Management: State of the Art and Future Perspectives, edited by T. Darvill and A. P. Batarda Fernandes, 214–228. London: Routledge.
   Google Scholar
• May, S. K., J. Maralngurra, I. Johnston, J. Goldhahn, J. Lee, G. O'Loughlin, K. May, C. Nabobbob, M. Garde, and P. S. C. Taçon. 2019. “‘This is My Father’s Painting’: A First-Hand Account of the Creation of the Most Famous Rock Art in Kakadu National Park.” Rock Art Research 36 (2): 199–213.
   Web of Science ®Google Scholar
• May, S. K., F. McKeague, E. Miller, M. Marshall, J. Huntley, J. Goldhahn, I. G. Johnston, and P. S. C. Taçon. 2018. Pathways: People, Landscape and Rock Art in Djok Country. Gold Coast: Griffith University.
   Google Scholar
• May, K., G. O'Loughlin, J. Lee, and M. Marshall. 2016. “Looking after Bim: Two-Way.” Presented at Interwoven: Indigenous and Western Knowledge in Archaeology and Heritage, AAA 2016, Terrigal, NSW.
   Google Scholar
• May, S., P. S. C. Taçon, D. Wright, and M. Marshall. 2015. “The Rock Art of Kakadu: Past, Present and Future Research, Conservation and Management.” In Walk the Talk: Cultural Heritage Management in Kakadu National Park, edited by S. Winderlich, 36–44. Darwin: Jabiru Youth Centre, Kakadu National Park.
   Google Scholar
• Mowaljarlai, D., P. Vinnicombe, G. K. Ward, and C. Chippendale. 1988. “Repainting of Images on Rock in Australia and the Maintenance of Aboriginal Culture.” Antiquity 62: 690–696. doi: 10.1017/S0003598X00075086
   Web of Science ®Google Scholar
• Naumann, I. 1983. “The Biology of mud Nesting Hymenoptera (and Their Associates) and Isoptera in Rock Shelters in the Kakadu Region.” In The Rock Art Sites of Kakadu National Park: Some Preliminary Research Findings for the Conservation and Management, edited by D. Gillespie, 127–190. Canberra: Australian National Parks and Wildlife Service.
   Google Scholar
• O'Connor, S., J. Balme, J. Fyfe, J. Oscar, M. Oscar, J. Davis, H. Malo, R. Nuggett, and D. Surprise. 2013. “Marking Resistance? Change and Continuity in the Recent Rock Art of the Southern Kimberley, Australia.” Antiquity 87 (2013): 539–554. doi: 10.1017/S0003598X00049115
   Web of Science ®Google Scholar
• O’Loughlin, G., M. Marshall, K. May, and J. Lee. in press. “Trials and Tribulations of Artificial Silicon Driplines: a Case Study From Kakadu National Park, Australia.” In Global Perspectives for the Conservation and Management of Open-Air Rock Art Sites, edited by A. Batarda Fernandes, M. Marshall, and I. Domingo Sanz. Milton Park: Routledge.
   Google Scholar
• Oobagooma, J., K. Doohan, L. Umbagai, and M. Porr. 2016. “Yooddooddoom: A Narrative Exploration of the Camp and the Sacred Place, Daily Life, Images, Arranged Stones and Lalai Beings.” Hunter Gatherer Research 2 (3): 345–374. doi: 10.3828/hgr.2016.24
   Google Scholar
• Rivett, L. J. 1983. “The Application of Photogrammetry to the Recording of Rock Art and Archaeological Sites in Kakadu National Park.” In The Rock Art Sites of Kakadu National Park - Some Preliminary Research Findings for Their Conservation and Management, edited by D. Gillespie, 87–126. Canberra: Australian National Parks and Wildlife Service.
   Google Scholar
• Schulz, A. S. 1956. “North-west Australian Rock Paintings.” Memoirs of the National Museum of Victoria 20: 7–57. doi: 10.24199/j.mmv.1956.20.01
   Google Scholar
• Taçon, P. S. C. 2019. “Connecting to the Ancestors: Why Rock Art is Important for Indigenous Australians and Their Well-Being.” Rock Art Research 36 (1): i–x.
   Web of Science ®Google Scholar
• Taçon, P. S. C., and M. Marshall. 2014. “Conservation or Crisis? The Future of Rock art Management in Australia.” In A Monograph of Rock art Research and Protection, edited by Y. Zhang, 119–133. Beijing: Zhong Guo Zang Xue Chu Ban She/China Tibetology Publishing House.
   Google Scholar
• Wilinggin Aboriginal Corporation. 2012. Wilinggin Healthy Country Plan — Looking After Ngarinyin Country 2012–2022. Derby: Wilinggin Aboriginal Corporation.
   Google Scholar
• Williams, S., T. Koeneman, and P. S. C. Taçon. 2019. “The Importance of Conserving Rock Art: A Conversation at the Jibbon Petroglyph Site, Royal National Park, Australia.” Rock Art Research 36 (2): i–x.
   Web of Science ®Google Scholar