The Balpis Expansion of the Technical Part of the Hermeneia Painting Manual by Dionysius of Fourna

References

• Barkeshli, M. 2017. “Material Technology and Science in Manuscripts of Persian Mystical Literature.” Manuscript Cultures 8: 187–214.
   Google Scholar
• Βασιλάκη, Μ. 1995. <Από τους Εικονογραφικούς Οδηγούς στα Σχέδια Εργασίας Μϵταβυζαντινών Ζωγράφων [From Iconographic Guides to Preliminary Sketches of Post-Byzantine Painters]. Athens: Goulandri-Chorn Foundation.
   Google Scholar
• Brill, R. H. 1972. “Some Chemical Observations on the Cuneiform Glassmaking Texts.” Annales du 5e Congrès de l’Association International pour l’Histoire du Verre, 329–351, Liège.
   Google Scholar
• Βυζάντιος, Σ. Δ. 1857. <Λϵξικόν της καθ’ ημάς Ελληνικής διαλέκτου [Dictionary of the Greek Dialect]. Athens: A. Garpolas.
   Google Scholar
• Caley, E. R., and W. B. Jensen. 2008. The Leyden and Stockholm Papyri. Cincinnati: University of Cincinnati Press.
   Google Scholar
• Cardoso, I. P., and E. Pye. 2017. “Preparing the Foundation for Stable Gilding: Scientific Evaluation of the Durability of Baroque Gesso Gilding Grounds.” Journal of Archaeological Science 79: 86–95. https://doi.org/10.1016/j.jas.2017.01.014.
   Web of Science ®Google Scholar
• Cennini, C. 2015. Il Libro Dell’ Arte. Translated and Commented by L. Broecke. London: Archetype.
   Google Scholar
• Clarke, M. 2001. The Art of All Colours. Mediaeval Recipe Books for Painters and Illuminators. London: Archetype.
   Google Scholar
• Clarke, M. 2016. The Crafte of Lymmyng and the Maner of Steynyng: Middle English Recipes for Painters, Stainers, Scribes, and Illuminators. Oxford: Oxford University Press.
   Google Scholar
• Cristache, R. A., I. C. A. Sandu, A. E. Simionescu, V. Vasilache, A. Mariabudu, and I. Sandu. 2015. “Multi-Analytical Study of the Paint Layers Used in Authentication of Icon from XIXth Century.” Revista de Chimie 66 (7): 1034–1037.
   Web of Science ®Google Scholar
• Dionysius of Fourna. 1996. The ‘Painter’s Manual’ of Dionysius of Fourna. Translated and commented in English by P. Hetherington. Torrance: Oakwood Publications.
   Google Scholar
• Eastaugh N., V. Walsh, T. Chaplin, and R. Siddall. 2008. Pigment Compendium. London: Routledge.
   Google Scholar
• Διονύσιος, ϵκ Φουρνά. 1997. Ερμηνϵία της Ζωγραφικής Τέχνης [Hermeneia of the Art of Painting], Preface by A. Papadopoulos-Kerameus (editor), Petersburg 1909, reprint by K. Spanos, Athens.
   Google Scholar
• Διοσκουρίδης. 2000. Πϵρί ύλης ιατρικής, Book V. Athens: Kaktos.
   Google Scholar
• Δοξαράς, Π. 1871. Πϵρί Ζωγραφίας [On Painting]. Athens: S.P. Lambrou (editor).
   Google Scholar
• Δρακοπούλου, Ε. 2008. <Αναλυτικοι πίνακϵς των Ελλήνων ζωγράφων και των έργων τους (1450-1850) [Detailed Tables of the Greek Painters and Their Artworks (1450-1850)], έκδοση Κέντρου Νϵοϵλληνικών Ερϵυνών Ε.Ι.Ε. αρ. 102 [Center of Neohellenic Research N.H.R.F. publication No 102], Athens.
   Google Scholar
• Δρακοπούλου, Ε. 2010. Έλληνϵς ζωγράφοι μϵτά την Άλωση (1450-1830), τόμος 3 [Greek Painters after the Fall (1450-1830), Volume 3], έκδοση Κέντρου Νϵοϵλληνικών Ερϵυνών Ε.Ι.Ε. αρ. 114 [Center of Neohellenic Research N.H.R.F. publication No 114], Athens.
   Google Scholar
• Kakavas, G. 2008. Dionysius of Fourna (c. 1670-c. 1745). Artistic Creation and Literary Description. Leiden: Alexandros Press.
   Google Scholar
• Κόντολγου, Φ. 1993. Έκφρασις της ορθοδόξου ϵικονογραφίας [Ekphrasis of the Orthodox Iconography], Volume A. 3rd ed. Athens: Astir.
   Google Scholar
• Mafredas, T., E. Kouloumpi, and S. C. Boyatzis. 2021. “Did Dionysius of Fourna Follow the Material Recipes Described in His Own Treatise? A First Analytical Investigation of Four of His Panel Paintings.” Heritage 4 (4): 3770–3789. https://doi.org/10.3390/heritage4040207.
   Google Scholar
• Μαστορόπουλος, Γ. 1986. “Υπογραφές ζωγράφων σϵ ϵικόνϵς της κϵντρικής Νάξου” [Painters’ Signatures on Icons of Central Naxos], Δϵλτίον Χριστιανικής Αρχαιολογικής Εταιρϵίας 12 [Deltion of the Christian Archaeological Society 12], 473–500.
   Google Scholar
• Mastrotheodoros, G. P., and K. G. Beltsios. 2019. “Sound Practice and Practical Conservation Recipes as Described in Greek Post-Byzantine Painters’ Manuals.” Studies in Conservation 64 (1): 42–53. https://doi.org/10.1080/00393630.2018.1481352.
   Web of Science ®Google Scholar
• Mastrotheodoros, G. P., K. G. Beltsios, Y. Bassiakos, and V. Papadopoulou. 2016. “On the Grounds of Post-Byzantine Greek Icons.” Archaeometry 58 (5): 830–847. https://doi.org/10.1111/arcm.12201.
   Web of Science ®Google Scholar
• Mastrotheodoros, G. P., K. G. Beltsios, Y. Bassiakos, and V. Papadopoulou. 2018. “On the Metal-Leaf Decorations of Post-Byzantine Greek Icons.” Archaeometry 60 (2): 269–289. https://doi.org/10.1111/arcm.12287.
   Web of Science ®Google Scholar
• Mastrotheodoros, G. P., D. F. Anagnostopoulos, E. Filippaki, K. G. Beltsios, and Y. Bassiakos. 2019. “Probing the Birthplace of the “Epirus/NW Greece School” of Painting: Analytical Investigation of the Filanthropinon Monastery Murals. Part IΙ: Non-Pigment Materials and Painting Technique.” Archaeological and Anthropological Sciences 11 (10): 5781–5798. https://doi.org/10.1007/s12520-019-00905-5.
   Web of Science ®Google Scholar
• Mastrotheodoros, G. P., K. G. Beltsios, and Y. Bassiakos. 2021. “On the Red and Yellow Pigments of Post-Byzantine Greek Icons.” Archaeometry 63 (4): 753–778. https://doi.org/10.1111/arcm.12642.
   Web of Science ®Google Scholar
• Mastrotheodoros, G. P., and K. G. Beltsios. 2022. “Recipes for Pigment Manufacturing in Greek Post-Byzantine Painting Manuals.” Scientific Culture 8 (1): 147–159. https://doi.org/10.5281/zenodo.5772478.
   Google Scholar
• Νούσια, Φ. 2008. “Ανέκδοτο κϵίμϵνο πϵρί σκϵυασίας μϵλανιού, κινναβάρϵως, βαρζίου, καταστατού και κόλλησης χαρτιού (15ος αι.)” [Unpublished Text on the Making of Ink, Cinnabar, Barzio, Katastato and Paper Gluing (15th c.)], Βιβλιοαμφιάστης 3 [Vivlioamfiastis 3], 43–62.
   Google Scholar
• Oltrogge, D. 2011. “Byzantine Recipes and Book Illumination.” Revista de História da Arte Série W 1: 61–71.
   Google Scholar
• Παναγιώτου, ΚΙ. 2015. Λϵονάρτο ντα Βίντσι, Λέον Μπαττίστα Αλμπέρτι, Αντρέα Πότσο: διά την ζ0ωγραφίαν. Οι Πρώτϵς Μϵταφράσϵις Κϵιμένων Τέχνης από τον Παναγιώτη Δοξαρά [Leonard da Vinci, Leon Battista Alberti, Andrea Pozzo: On Painting. The First Translations of Art Texts by Panagiotis Doxaras]. Heraklion: University of Crete Press.
   Google Scholar
• Παντϵλϵήμων, Λαυριώτης. 1958. “Συμπληρωματικός κατάλογος χϵιρογράφων κωδίκων Ιϵράς Μονής Μϵγίστης Λαύρας”, [Supplementary Catalogue of Manuscript Codices of the Holy Monastery of Great Lavra], with an introductory note by N. B. Tomadakis, Επϵτηρίς Εταιρϵίας Βυζαντινών Σπουδών ΚΗ [Annual of the Society of Byzantine Studies, 28], 87–203.
   Google Scholar
• Papazoglou, D., L. Malletzidou, T. Zorba, P. Beinas, I. Karapanagiotis, E. Pavlidou, and K. M. Paraskevopoulos. 2019. “Characterization of a Two Field Icon of Virgin Mary “Eleousa” (19th Century).” AIP Conference Proceedings 2075 (1): 200004. https://doi.org/10.1063/1.5091429.
   Google Scholar
• Πατάπιος, Καυσοκαλυβίτης. 2017. “Ο αγιορϵίτης μοναχός Γϵννάδιος ο ρώσος (μέσα 19ου αι.) και η ‘αρχή της νέας μϵθόδου της ζωγραφικής ϵπιστήμης’ [The Agiorites Monk Gennadios the Russian (mid-19th c.) and the “Establishment of th New Method of the Painting Discipline”].” In Ι. Στουφή-Πουλημένου, and Σ. Μαμαλούκος (eds), Πρακτικά Δ’ Επιστημονικού Συμποσίου Νϵοϵλληνικής Εκκλησιαστικής Τέχνης [Proceedings of the 4th Scientific Symposium on Neohellenic Ecclesiastical Art], 573–594. Athens: Foiniki.
   Google Scholar
• Παπαδόπουλος, Κ. Πρ. 2006. “Νέο Χϵιρόγραφο της ‘Ερμηνϵίας της Ζωγραφικής Τέχνης’ του Διονυσίου του ϵκ Φουρνά” [New Manuscript of the Dionysius of Fourna “Hermeneia of the Art of Painting”], Επιστημονική Επϵτηρίς Θϵολογικής Σχολής Πανϵπιστημίου Αθηνών ΜΑ [Scientific Annual of the Athens University Theological School, Vol. 41], 389–441.
   Google Scholar
• Parpulov, G. R., I. V. Dolgikh, and P. Cowe. 2010. “A Byzantine Text on the Technique of Icon Painting.” Dumbarton Oaks papers 64: 201–212.
   Google Scholar
• Partington, J. R. 1934. “Chemical arts in the Mount Athos Manual of Christian Iconography.” Isis 22 (1): 136–149. https://doi.org/10.1086/346877.
   Google Scholar
• Πολίτης, Λ., and Μ. Πολίτη. 1994. ““Βιβλιογράφοι του 17ου – 18ου αιώνα: συνοπτική καταγραφή” [Book Scribes of 17th – 18th Century: A Concise Inventory].” Δϵλτίο του ιστορικού και παλαιογραφικού αρχϵίου [Historical and Palaeographical Archive Bulletin] 6: 309–646.
   Google Scholar
• Σακκϵλίων, Ι., and Α. Ι. Σακκϵλίων. 1892. Κατάλογος τῶν χϵιρογράφων τῆς Ἐθνικῆς Βιβλιοθήκης τῆς Ἑλλάδος, [Catalogue of the Manuscripts of the National Library of Greece]. Athens: National Printing Office.
   Google Scholar
• Scott, D. A. 2002. Copper and Bronze in Art. Corrosion, Colorants, Conservation. Los Angeles, CA: The Getty Conservation Institute.
   Google Scholar
• Schreiner, P., and D. Oltrogge. 2011. Byzantinische Tinten-, Tuschen- und Farbrezepte. Wien: Verlag der Osterreichischen Akademie der Wissenschaften.
   Google Scholar
• Talarou-Ganitis, E., and V. Ganitis. 2005. “Sources and Preparatory Drawing in Post-Byzantine Iconography (15th-19th century): Reproducing the Reverse Imprint Technique of Transferring Preparatory Drawing.” In Art of the Past. Sources and Reconstructions, edited by M. Clarke, J. H. Townsend, and A. Stijnman, 101–106. London: Archetype.
   Google Scholar
• Theophilus. 1979. On Divers Arts. Translated and commented by J.G. Hawthorne and C.S. Smith, New York: Dover.
   Google Scholar
• Vassilaki, M. 2009. “Workshop Practices and Working Drawings of Icon-Painters.” In The Painter Angelos and Icon Painting in Venetian Crete, edited by M. Vassilaki, 307–316. Surrey: Ashgate Variorum.
   Google Scholar
• Χατζηδάκης, Μ. 1938. “Ἐκ τῶν Ἐλπίου τοῦ Ρωμαίου [Elpius the Roman: Concerning Bodily Characteristics].” Ἐπϵτηρὶς Ἑταιρϵίας Βυζαντινῶν Σπουδῶν [Yearbook of the Byzantine Studies Society 14] 14: 393–414.
   Google Scholar
• Χατζηδάκης, Μ. 1987. <Έλληνϵς ζωγράφοι μϵτά την Άλωση (1450-1830) [Greek Painters after the Fall (1450-1830)], έκδοση Κέντρου Νϵοϵλληνικών Ερϵυνών Ε.Ι.Ε. αρ. 33 [Center of Neohellenic Research N.H.R.F. Publication No 33], Athens.
   Google Scholar
• Χατζηδάκης, Μ., and Ε. Δρακοπούλου. 1997. Έλληνϵς ζωγράφοι μϵτά την Άλωση (1450-1830), τόμος 2 [Greek Painters after the Fall (1450-1830), Volume 2], έκδοση Κέντρου Νϵοϵλληνικών Ερϵυνών Ε.Ι.Ε. αρ. 62 [Center of Neohellenic Research N.H.R.F. Publication No 62], Athens.
   Google Scholar
• Χατζοπούλου, Β. 2017. Κατάλογος Ελληνικών χϵιρογράφων του Μουσϵίου Μπϵνάκη (16^ος – 20^ος αιώνας) [Catalogue of Greek Manuscripts of Benaki Museum (16^th – 20^th century)]. Athens: Benaki Museum.
   Google Scholar