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Symposium: A Quarterly Journal in Modern Literatures Volume 48, 1994 - Issue 4
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Original Articles

El Grito Infinito: Ecos Coloniales en La Malasangre de Griselda Gambaro

Gail A. BulmanSyracuse University
Pages 271-276 | Published online: 02 Sep 2013

Obras Citadas

  • Boyle Catherine M. “Griselda Gambaro and the Female Dramatist: The Audacious Trespasser.” Knives & Angels. Ed. Susan Bassnett. London: Zed Books, Ltd., 1990.
  • Castillo Debra A. Talking Back: Toward a Latin American Feminist Literary Criticism. Ithaca: Cornell UP, 1992.
  • Fuentes Carlos. The Buried Mirror: Reflections on Spain and the New World. New York: Houghton Mifflin, 1992.
  • Gambaro Griselda. Teatro I: La malasangre. Buenos Aires: Ediciones de la Flor, 1984.
  • Kristeva Julia. Desire In Language. Trans. Thomas Gora, Alice Jardine, Leon S. Roudiez. NY: Columbia UP, 1980.
  • Kristeva Julia. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia UP, 1982.
  • Lacan Jacques. “The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience.” Ecrits: A Selection. Trans. Alan Sheridan. New York: W.W. Norton and Co., Inc., 1977.
  • Lotman Yuri. Estructura del texto artístico. Trad. Victoriano Imbert. Madrid: Ed. ISTMO, 1970.
  • Lotman Yuri. Universe of the Mind: A Semiotic Theory of Culture. Trans. Ann Shukman. Bloomington: Indiana UP, 1990.
  • McAleer Janice K. “El campo de Griselda Gambaro: Una contradicción de mensajes.” Revista Canadiense de Estudios Hispánicos 7.1 (1982): 159–171.
  • Mendez-Faith Teresa. “Sobre el uso y abuso de poder en la producción dramática de Griselda Gambaro.” Revista Ibero-americana 51.132–33 (1985): 831–41.
  • Moretta Eugene. “Reflexiones sobre la tiranía: tres obras del teatro argentino contemporáneo.” Revista Canadiense de Estudios Hispánicos 7.1 (1982): 141–47.
  • Rama Angel. La ciudad letrada. Hanover, NH: Ediciones del Norte, 1984

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