Sleeping Gods in Surrealist Collections

Works Cited

• Adamowicz , Elza . 1995 . “ ‘Un Masque peut en masquer (ou démasquer) un autre’: Le masque et le surréalisme ” . In L’Autre et le sacré , Edited by: Thompson , C. W. 73 – 91 . Paris : L’Harmattan . Print
   Google Scholar
• Ahuja , Neel . 2009 . Postcolonial Critique in a Multispecies World . PMLA , : 556 – 63 . 124.2, Print
   Google Scholar
• Apollinaire , Guillaume . 1920 . Alcools , Paris : Gallimard . Print
   Google Scholar
• Artaud , Antonin . 1961 . “ Sorcellerie et cinéma ” . In Œuvres complètes , Vol. 3 , 70 – 82 . Paris : Gallimard . Print
   Google Scholar
• Artaud , Antonin . 1964 . “ Le Théâtre et la culture ” . In Le Théâtre et son double , 11 – 20 . Paris : Gallimard . Print
   Google Scholar
• Benston , Kimberly W. 2009 . Experimenting at the Threshold: Sacrifice, Anthropomorphism, and the Aims of (Critical) Animal Studies . PMLA , : 548 – 55 . 124.2, Print
   Google Scholar
• Braidotti , Rosi . 2009 . Animals, Anomalies, and Inorganic Others . PMLA , : 526 – 32 . 124.2, Print
   Google Scholar
• Breton , André . Amérique du Nord . Gouthier 142–43, Print
   Google Scholar
• Breton , André . 1936 . Crise de l’objet . Cahiers d’Art , : 21 – 26 . 11.6-10, Print
   Google Scholar
• Breton , André . Œuvres complètes , Vol. 3 , 1988 – 99 . Paris : Gallimard . Print
   Google Scholar
• 1948 . Les Masques , Paris : Editions du Seuil . Buraud, Georges, Print
   Google Scholar
• Cahun , Claude . 2002 . Ecrits , Paris : Jean-Michel Place . Print
   Google Scholar
• Caws , Mary Ann . 1985 . “ Ladies Shot and Painting: Female Embodiment in Surrealist Art ” . In The Female Body in Western Culture , Edited by: Suleiman , Susan Rubin . 262 – 87 . Cambridge : Harvard UP . Print
   Google Scholar
• 2008 . Chefs-d’œuvre dans les collections du musée du quai Branly , Paris : Musée du quai Branly . Print
   Google Scholar
• Cheng , Joyce . 2009 . Mask, Metamorphosis: Roger Cailloir, Walter Benjamin and Surrealism in the 1930s . Modernism/Modernity , : 61 – 86 . 16.1, Print
   Google Scholar
• Conley , Katharine . 1996 . Automatic Woman: The Representation of Woman in Surrealism. Lincoln: U of Nebraska P , Print
   Google Scholar
• Conley , Katharine . 2010 . Rrose Sélavy's Ghosts: Life, Death, and Desnos . French Review , : 964 – 75 . 83.4, Print.
   Google Scholar
• Conley , Katharine . 2009 . “ Safe as Houses: Anamorphic Bodies in Ordinary Spaces: Miller, Carrington, Tanning, and Woodman ” . In Angels of Anarchy: Woman Surrealist Artists and Tradition , Edited by: Allmer , Patricia . 46 – 53 . London and New York : Prestel . Print
   Google Scholar
• Conley , Katharine . 2011 . Surrealism's Ghostly Automatic Body . Sites: Contemporary French and Francophone Studies , : 297 – 304 . 15.3, Print
   Google Scholar
• Conley , Katharine . 2011 . Women in the Surrealist Conversation i – xiv . Introduction. Spec. issue of Journal of Surrealism and the Americas 5.1–2, Web
   Google Scholar
• Cowling , Elizabeth . 1978 . The Eskimos, the American Indians, and the Surrealists . Art History , : 484 – 500 . 1.4, Print
   Google Scholar
• Dalí , Salvador . 2004 . “ La photographie: pure création de l’esprit ” . In Oui: La Révolution paranoïaque-critique 26 – 28 . Print
   Google Scholar
• DeKoven , Marianne . 2009 . Guest Column: Why Animals Now? . PMLA , : 361 – 69 . 124.2, Print
   Google Scholar
• Deloria , Philip . 1998 . Playing Indian , New Haven : Yale UP . Print
   Google Scholar
• 1988 . Les Demoiselles d’Avignon , Paris : Editions de la Réunion des musées nationaux . Print
   Google Scholar
• Derrida , Jacques . 2004 . “ L’animal que donc je suis (à suivre) ” . In La démocratie à venir: autour de Jacques Derrida , Edited by: Mallet , Marie-Louise . 251 – 301 . Paris : Gallilée . Print
   Google Scholar
• Derrida , Jacques . 2002 . The Animal That I Am (More to Follow) . Critical Inquiry , : 369 – 418 . Trans. David Wills, 28.2, Print
   Google Scholar
• Eburne , Jonathan . Antihumanism and Terror: Surrealism, Theory, and the Postwar Left . Yale French Studies 109 (2006): 39–51. Print
   Google Scholar
• Eburne , Jonathan . 2011 . Leonora Carrington, Mexico, and the Culture of Death . Journal of Surrealism in the Americas , : 19 – 32 . 5.1-2, Web
   Google Scholar
• Eburne , Jonathan . 2008 . Surrealism and the Art of Crime , Ithaca : Cornell UP . Print
   Google Scholar
• Ernst , Max . 1976 . Une Semaine de Bonté: A Surrealist Novel in Collage , New York : Dover . Print
   Google Scholar
• Foucault , Michel . 1966 . Michel Foucault: ‘C’était un nageur entre deux mots . Arts et loisirs , : 8 – 9 . 54, Print
   Google Scholar
• Geiss , Terri and Eder , Rita . 2012 . “ The Ancestral and the Living ” . In In Wonderland , Edited by: Fort , Ilene Susan and Arcq , Tere . 156 – 71 . Los Angeles, Munich, London, and New York : LACMA, the Museo de Arte Moderno, Delmonico Books, and Prestel . Print
   Google Scholar
• Gouthier , Jean-Michel . 2003 . André Breton, 42, rue Fontaine, arts primitifs , Paris : Calmels Cohen . Print
   Google Scholar
• Gracq , Julien and Ehrmann , Gilles . 2003 . 42 rue Fontaine, l’atelier d’André Breton , Paris : Adam Biro . Print
   Google Scholar
• Jolles , Adam . (2006) . The Tactile Turn: Envisioning a Post-Colonial Aesthetic in France . Yale French Studies 109, 17–28. Print
   Google Scholar
• Kavky , Samantha . 2010 . Max Ernst in Arizona . Res , : 209 – 28 . 57–58, Print
   Google Scholar
• Leclercq , Sophie . 2010 . La rançon du colonialisme: les surréalistes face aux mythes de la France coloniale (1919–1962) , Paris : Presses du réel . Print
   Google Scholar
• Leiris , Michel . 1988 . “ L’ethnographie devant le colonialisme ” . In Cinq études d’ethnologie , Paris : Gallimard . Print
   Google Scholar
• Leiris , Michel . 1996 . Miroir de l’Afrique , Paris : Gallimard . Print
   Google Scholar
• Lévi-Strauss , Claude . The Art of the Northwest Coast at the American Museum of Natural History . Gazette des Beaux-Arts , 175 – 82 . 24.919 (September 1943), Print
   Google Scholar
• Lévi-Strauss , Claude and Eribon , Didier . 1991 . Conversations with Claude Lévi-Strauss , Chicago : U of Chicago P . Trans. Paula Wissing, Print
   Google Scholar
• Mauzé , Marie . Les Masques à transformation . Gouthier 154. Print
   Google Scholar
• Mileaf , Janine . 2001 . Body to Politics: Surrealist Exhibition of the Tribal and the Modern at the Anti-Imperialist Exhibition and the Galerie Ratton . Res , 40 : 239 – 55 . Print
   Google Scholar
• Price , Sally . 2002 . Primitive Art in Civilized Places , Chicago : U of Chicago P . Print
   Google Scholar
• Rentzou , Effie . 2013 . Minotaure: On Ethnography and Animals . Symposium , : 25 – 37 . 67.1, Print
   Google Scholar
• Rimbaud , Arthur . 1972 . Œuvres complètes , Paris : Gallimard . Print
   Google Scholar
• Rubin , William . 1984 . “ Introduction ” . In Primitivism’ in 20th-Century Art , Edited by: Rubin , William . Vol. 1 , New York : Museum of Modern Art . Print
   Google Scholar
• Seckel , Hélène . 1988 . Les Demoiselles d'Avignon Vol. 2. Paris: Musée Picasso—Editions de la Réunion des musées nationaux, Print
   Google Scholar
• Spies , Werner . 2009 . “ Les désastres du siècle ” . In Max Ernst, Une semaine de bonté , Edited by: Spies , Werner . 13 – 91 . Paris : Gallimard . Print
   Google Scholar
• Tzara , Tristan . 1979 . “ Quand les objets rêvent ” . In Photographs by Man Ray, 105 Works, 1920–1934 , 85 New York : Dover Publications . Print
   Google Scholar
• Tzara , Tristan . 1963 . Sept Manifestes Dada , Paris : Jean-Jacques Pauvert . Print
   Google Scholar
• Wolfe , Cary . 2009 . Human, All Too Human: ‘Animal Studies’ and the Humanities . PMLA , 124.2 : 564 – 75 . Print
   Google Scholar