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Symposium: A Quarterly Journal in Modern Literatures Volume 72, 2018 - Issue 1: Transnational Iconography in the Spanish-Speaking World
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Articles

Género del Discurso y Género Líquido. Identidades y Mito en un Cuento Cinematográfico de Sergio Fernández

Antonio Portela LopaDepartment of Philology, Spanish Language Area, University of Burgos, SpainCorrespondence[email protected]
Pages 53-62 | Published online: 09 Mar 2018

Obras citadas

  • Arregui, M. U. “Reconfiguración Del Género en Las Performances Clásicas. Androginia Actoral.” Perifèria. Revista d'Investigació i Formació en Antropologia, vol. 20, no. 2, 2015, pp. 72–90.
  • Bainbrigde, John. Memorias de Greta Garbo. Editorial AHR, 1956.
  • Butler, J. El Género en Disputa: el Feminismo y la Subversión de la Identidad. Paidós, 2007.
  • Cukor, George. Margarita Gautier / La Dama de las Camelias (Camille). Metro-Goldwyn-Mayer, 1936.
  • Feyder, Jacques. El beso (The Kiss). Metro-Goldwyn-Mayer, 1929.
  • ———. Anna Christie (Anna Christie). Metro-Goldwyn-Mayer, 1930.
  • Fernández, Sergio. “450 East 52 St.” Los Desfiguros de Mi Corazón: un Anecdotario, Nueva Imagen, 1993, pp. 25–36.
  • García Gómez, Francisco. “Ver o no Ver, Ésa es la Cuestión: el Sexo en el Cine.” Eros es Más. Ensayo Sobre Arte y Erotismo, edited by Maite Méndez Baiges and Belén Ruiz Garrido. Fundación Pablo Picasso, 2010, pp. 151–91.
  • Halberstam, Judith. Female Masculinity. Duke UP, 2012.
  • Lamas, M. “Cuerpo: Diferencia Sexual Y Género.” Debate Feminista, vol. 10, 1994, pp. 3–31.
  • Pound, Ezra. “In a Station of the Metro.” Poetry, vol. II, no. 1, 1913, p. 12.

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