787
Views
63
CrossRef citations to date
0
Altmetric
Original Articles

Seeing is deceiving: Rock art and the non-visual

Pages 237-256 | Published online: 05 Nov 2010

References

  • Ackerman , D. 1991 . A Natural History of the Senses , New York : Vintage Books .
  • Adorno , T. W. 1984 . Aesthetic Theory , London : Routledge & Kegan Paul .
  • Barnard , K. E. and Brazelton , B. T. 1990 . Touch: The Foundation of Experience , Madison , WI : International Universities Press .
  • Baron-Cohen , S. and Harrison , J. E. , eds. 1996 . Synesthesia: Classic and Contemporary Readings , Oxford : Blackwell .
  • Bataille , G. 1987 . Story of the Eye , Edited by: Neugroschel , J. San Francisco : City Lights Books .
  • Bernstein , J. M. 1992 . The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adomo , Oxford : Polity Press .
  • Biesele , M. 1993 . Women Like Meat: The Folklore and Foraging Ideology of the Kalahari Ju/'hoan , Johannesburg : Witwatersrand University Press .
  • Bleek , D. F. 1924 . The Mantis and his Friends: Bushman Folklore , Cape Town : T. Maskew Miller .
  • Bleek , D. F. 1933a . Beliefs and customs of the /Xam Bushmen . Part V: The rain. Bantu Studies , 7 : 297 – 312 .
  • Bleek , D. F. 1933b . Beliefs and customs of the /Xam Bushmen. Part VI: Rain-making , 375 – 92 . Bantu Studies, T .
  • Bleek , W. H. I. and Lloyd , L. C. 1911 . Specimens of Bushman Folklore , London : George Alien .
  • Bregman , A. S. 1994 . Auditory Scene Analysis: The Perceptual Organisation of Sound , London : MIT Press .
  • Carrithers , M. , Collins , S. and Lukes , S. , eds. 1985 . The Category of the Person: Anthropology, Philosophy, History , Cambridge : Cambridge University Press .
  • Classen , C. 1993 . Worlds of Sense: Exploring the Senses in History and across Cultures , London : Routledge .
  • Cytowic , R. E. 2000 . The Man Who Tasted Shapes , Cambridge , MA : MIT Press .
  • Dauvois , M. 1996 . Evidence of sound-making and the acoustic character of the decorated caves of the Western Paleolithic world . International Newsletter on Rock Art , 13 : 23 – 5 .
  • Deacon , J. 1988 . The power of a place in understanding southern San rock engravings . World Archaeology , 20 : 129 – 40 .
  • Descartes , R. 1995 . A Discourse on Method: Meditations and Principles of Philosophy , Edited by: Veitch , S. J. Veitch : London .
  • Dobkin de Rios , M. and Katz , R. 1975 . Some relationships between music and hallucinogenic ritual: the 'jungle gym' in consciousness . Ethos , 3 : 64 – 76 .
  • Dowson , T. A. 1992 . Rock Engravings of Southern Africa , Johannesburg : Witwatersrand University Press .
  • Eagleton , T. 1990 . The Ideology of the Aesthetic , Oxford : Blackwell .
  • Eibl-Eibesfeldt , 1. 1988 . “ The biological foundation of aesthetics ” . In Beauty and the Brain: Biological Aspects of Aesthetics , Edited by: Rentschler , I. , Herzberger , B. and Eps tern , D. 29 – 69 . Basel : Birkhäuser Verlag .
  • Eliade , M. 1989 . Shamanism: Archaic Techniques of Ecstasy , Edited by: Trask , W. R. Trask : London .
  • Elkins , J. 1996 . The Object Strikes Back: On the Nature of Seeing , New York : Harcourt Brace .
  • Fagg , M. C. 1997 . Rock music . Pitt Rivers Museum Occasional Paper on Technology , 14 : 1 – 94 .
  • Fock , D. M. L. 1972 . Rock gongs at Keurfontein . South African Journal of Science , 68 : 246
  • Fock , G. J. 1979 . Felsbilder in Südafrika. Teil I: die Gravierungen auf Klipfontein, Kapprovinz , Köln : Böhlau Verlag .
  • Fock , G. J. and Fock , D. M. L. 1984 . Felsbilder in Südafrika. Teil. II: Kinderdam und Kalahari , Köln : Böhlau Verlag .
  • Fock , G. J. and Fock , D. M. L. 1989 . Felsbilder in Södafrika. Teil IH: die Felsbilder im Vaal-OranjeBecken , Köln : Böhlau Verlag .
  • Frecska , E. and Kulcsar , Z. 1989 . Social bonding in the modulation of the physiology of ritual trance . Ethos , 17 : 70 – 87 .
  • Gardner , W. J. and Licklider , J. C. R. 1959 . Auditory analgesia in dental operations . Journal of the American Dental Association , 59 : 1144 – 9 .
  • Gould , R. A. 1980 . Living Archaeology , Cambridge : Cambridge University Press .
  • Guenther , M. 1999 . Trancers and Tricksters: Bushman Religion and Society , Bloomington : Indiana University Press .
  • Hanna , J. L. 1977 . “ To dance is human: some psychobiological bases of an expressive form ” . In The Anthropology of the Body , Edited by: Blacking , J. 211 – 32 . London : Academic Press .
  • Hart , M. and Stevens , J. 1990 . Drumming at the Edge of Magic: A Journey into the Spirit of Percussion , Novato , CA : Grateful Dead Books .
  • Hedges , K. 1993 . “ Places to see and places to hear: rock art and features of the sacred landscape ” . In Time and Space: Dating and Spatial Considerations in Rock Art Research , Edited by: Steinbring , J. , Watchman , A. , Faulstitch , P. and Taçpn , P.S.C. 121 – 7 . Melbourne : Occasional AURA Publication 8 .
  • Heyd , T. 1999 . Rock art aesthetics: traces on rock, mark of spirit, window on land . Journal of Aesthetics and Art Criticism , 57 : 451 – 8 .
  • Hobson , J. A. 1994 . The Chemistry of Conscious States: Toward a Unified Model of the Brain and Mind , Toronto : Little, Brown .
  • Howes , D. 1991 . The Varieties of Sensory Experience , Toronto : University of Toronto Press .
  • Huyge , D. 1991 . The 'Venus' of Laussel in the light of ethnomusicology . Archeologie in Vlaanderen , 1 : 11 – 18 .
  • Jay , M. 1994 . Downcast Eyes: The Denigration of Vision in Twentieth Century French Thought , Berkeley , CA : University of California Press .
  • Katz , R. 1982 . Boiling Energy: Community Healing among the Kalahari /Kung , Cambridge , MA : Harvard University Press .
  • Katz , R. , Biesele , M. and St Denis , V. 1997 . Healing Makes Our Hearts Happy: Spirituality and Cultural Transformation among the Kalahari Ju/'hoansi , Rochester : Inner Traditions .
  • Keeney , B. 1999 . Kalahari Bushmen Healers , Rochester : Ringing Rocks Press .
  • Lewis-Williams , J. D. 1981 . Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings , London : Academic Press .
  • Lewis-Williams , J. D. and Dowson , T. A. 1988 . The signs of all times: entoptic phenomena in Upper Palaeolitic art . Current Anthropology , 29 : 201 – 38 .
  • Lewis-Williams , J. D. and Dowson , T. A. 1990 . Through the veil: San rock paintings and the rock face . The South African Archaeological Bulletin , 45 : 5 – 16 .
  • Maquet , J. 1986 . The Aesthetic Experience: An Anthropologist Looks at the Visual Arts , New Haven , CT : Yale University Press .
  • Marshall , L. 1969 . The medicine dance of the !Kung Bushmen . Africa , 39 : 347 – 81 .
  • Mitchell , W. J. T. 1986 . Iconology: Image, Text, Ideology , Chicago : Chicago University Press .
  • Morphy , H. 1995 . “ Colonialism, history and the construction of place: the politics of landscape in northern Australia ” . In Landscape: Politics and Perspectives , Edited by: Bender , B. 205 – 43 . Oxford : Berg .
  • Morris , D. 1988 . Engraved in place and time: a review of variability of the rock art of the northern Cape and Karoo . The South African Archaeological Bulletin , 43 : 109 – 21 .
  • Needham , R. 1967 . Percussion and transition . Man , 2 : 606 – 14 .
  • Neher , A. 1962 . A physiological explanation of unusual behaviour in ceremonies involving drums . Human Biology , 36 : 151 – 62 .
  • Otto , R. 1950 . The Idea of the Holy: An Inquiry into the Non-rational Factor in the Idea of the Divine and its Relationship to the Rational , Edited by: Harvey , J. W. Harvey : London .
  • Ouzman , S. 1995 . Spiritual and political uses of a rock engraving site and its imagery by San and Tswana-speakers . The South African Archaeological Bulletin , 50 : 55 – 67 .
  • Ouzman , S. 1996a . Thaba Sione: place of rhinoceroses, rock art and rain-making . African Studies , 55 : 31 – 59 .
  • Ouzman , S. 1996b . An engraved touchstone from the Free State . The Digging Stick , 13 : 1 – 3 .
  • Ouzman , S. 1998 . “ Toward a mindscape of landscape: rock-art as expression of world-understanding ” . In The Archaeology of Rock-Art , Edited by: Chippindale , C. and Taçpn , P.S.C. 30 – 41 . Cambridge : Cambridge University Press .
  • Reid , R. M. 1992 . Cultural and medical perspectives on geophagia . Medical Anthropology , 13 : 337 – 51 .
  • Rouget , G. 1985 . Music and Trance , Chicago : University of Chicago Press .
  • Scarre , C. 1989 . Painting by resonance . Nature , 338 : 382
  • Scherz , E. R. 1970 . Felsbilder in Sdwest-Afrika. Teil I: die Gravierungen in Sdwest-Afrika ohne den Nordwesten des Landes , Köln : Böhlau Verlag .
  • Scherz , E. R. 1975 . Felsbilder in Südwest-Afrika , Teil II: die Gravierungen im Nordwesten SüdwestAfrikas Köln : Böhlau Verlag .
  • Skead , C. J. 1976 . The mystery of the rubbing stones . African Wildlife , 30 : 24 – 5 .
  • Skotnes , P. 1994 . “ The visual as a site of meaning: San parietal painting and the experience of modern art ” . In Contested Images: Diversity in Southern African Rock Art Research , Edited by: Dowson , T. A. and Lewis-Williams , J.D. 315 – 29 . Johannesburg : Witwatersrand University Press .
  • Smith , A. B. , Dowson , T. A. and Lewis-Williams , J.D. , eds. 1994 . “ Metaphors of space: rock art and territoriality in southern Africa ” . In Contested Images: Diversity in Southern African Rock Art Research , 373 – 84 . Johannesburg : Witwatersrand University Press .
  • Solomon , A. 1997 . Landscape, form and process: some implications for San rock art research . Natal Museum Journal of Humanities , 9 : 57 – 73 .
  • Stimmel , B. 1981 . Opiate Receptors, Neurotransmitters and Drug Dependency: Basic Science-Clinical Correlates , Binghampton , NY : Haworth Press .
  • Taçon , P. S. C. 1991 . The power of stone: symbolic aspects of stone use and tool development in western Arnhem Land, Australia . Antiquity , 65 : 192 – 207 .
  • Taçon , P. S. C. and Ouzman , S. “ Worlds within stone: the inner and outer rock-art landscapes of northern Australia and southern Africa ” . In The Landscape of Rock-Art , Edited by: Chippindale , C. and Nash , G. Cambridge : Cambridge University Press . In press
  • Thackeray , A. 1. 1983 . Dating the rock art of southern Africa . The South African Archaeological Bulletin Goodwin Series , 4 : 21 – 6 .
  • Turner , V. W. and Turner , E. 1978 . Image and Pilgrimage in Christian Culture: Anthropological Perspectives , New York : Columbia University Press .
  • Tuzin , D. 1984 . Miraculous voices: the auditory experience of numinous objects . Current Anthropology , 25 : 579 – 96 .
  • Vinnicombe , P. 1976 . People of the Eland: Rock Paintings of the Drakensberg Bushmen as a Reflection of their Life and Thought , Pietermaritzburg : Natal University Press .
  • Walker , N. 1997 . the footsteps of the ancestors: the Matsieng creation site in Botswana . The South African Archaeological Bulletin , 52 : 95 – 104 .
  • Waller , S. J. 1993 . Sound and rock art . Nature , 363 : 501
  • Wiessner , P. and Larson , F. T. 1979 . 'Mother! Sing loudly for me!': the annotated dialogue of a Basarwa healer in trance . Botswana Notes and Records , 11 : 25 – 31 .
  • Wilman , M. 1968 . The Rock Engravings of Griqualand West and Bechuanaland , Cape Town : Balkema for the McGregor Museum .
  • Yates , R. and Manhire , A. 1991 . Shamanism and rock paintings: aspects of the use of rock art in the south-western Cape, South Africa . The South African Archaeological Bulletin , 46 : 3 – 11 .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.