1,181
Views
7
CrossRef citations to date
0
Altmetric
Plenary paper

Art crime: fraud and forensics

Pages 253-259 | Received 21 Jul 2014, Accepted 17 Aug 2014, Published online: 06 Oct 2014

References

  • Gilberg M. Friedrich Rathgen: The father of modern archaeological conservation. J Am Inst Conserv. 1987;26(2):105–120.
  • The British Museum. History of the Department [Internet]. Trustees of the British Museum; n.d. [cited 2014 May 10]. Available from: http://www.britishmuseum.org/about_us/departments/conservation_and_science/history.aspx
  • Forbes EW. The Fogg Art Museum. Bull Fogg Art Museum. 1936;5(3):42.
  • Torres RL. A short history of a pigment collection (and art conservation in the United States) [Internet]. Cambridge (MA) Harvard Art Museums; 2013 October 10 [cited 10 May 2014]. Available from: http://magazine.harvardartmuseums.org/article/2013/10/02/short-history-pigment-collection-and-art-conservation-united-states
  • Cited in Fraser L. Research into the history of conservation at the National Gallery of Victoria. Aust Inst Conserv Cult Mater Bull. 1994;19(3&4):31.
  • Hahn v. Duveen, 234 N.Y.S. 185. (N.Y. Sup. Ct. 1929).
  • Coremans PB. Van Meegeren’s faked Vermeers and De Hooghs: a scientific examination. Amsterdam: J.M. Meulenhoff; 1949.
  • Dutton D. (Ed.). The Forger’s art: forgery and the philosophy of art. Berkeley: University of California Press; 1983. Werness HB, Han van Meegeren fecit; 45–46.
  • van de Wetering E. (Ed.). A Corpus of Rembrandt paintings: the small scale history paintings. Vol. V; Dordrecht: Springer; 2011. p. 535 and p. 540–541.10.1007/978-1-4020-5786-1
  • Gregory J, Zdanowicz I. Rembrandt in the collections of the National Gallery of Victoria. Melbourne: National Gallery of Victoria; 1988. Note 47, p. 17.
  • Wetering E. (Ed.). A Corpus of Rembrandt Paintings IV: Self-Portraits; 2004. Catalogue entry: IV 21 ‘Self-Portrait’, 1660; New York: Springer; 2005. p. 127 and p. 526.
  • True M. A Kouros at the Getty Museum. The Burl. Mag. 1987;129(1006):3–11.
  • True M. Getty Kouros: Background on the problem. Paper presented at: The Getty Kouros Colloquium; 1992 May 25–27; Athens: Nicholas P. Goulandris Foundation/Museum of Cycladic Art. 1992. p. 13.
  • Hoving T. False impressions: The hunt for big-time art fakes. New York (NY): Simon & Schuster; 1997. p. 308.
  • Kimmelman M. ART; Absolutely real? Absolutely fake? New York Times. 1991 Aug 4 [cited 2014 May 15]. Available from: http://www.nytimes.com/1991/08/04/arts/art-absolutely-real-absolutely-fake.html
  • Kyrieleis H. Concerning the Getty Kouros. Paper presented at: The Getty Kouros Colloquium; 1992 May 25–27; Athens: Nicholas P. Goulandris Foundation/Museum of Cycladic Art. 1992. p. 340.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.